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| Roles = [[:Category:Special and Visual effects staff|Model and Prop Maker]]
  
| Roles = [[:Category:Special and Visual effects staff|Model and Prop Maker]]
 
}}
  
}}
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Hawaiian prop and creature designer '''Wah Ming Chang''' {{born|2|August|1917|died|22|December|2003}}, contracted by [[Desilu|Desilu Productions Inc.]], had been responsible for the design and construction of many familiar items used in ''[[Star Trek: The Original Series]]''.
 +
Hawaiian prop and creature designer '''Wah Ming Chang''' {{born|2|August|1917|died|22|December|2003}}, surreptitiously contracted by [[Desilu|Desilu Productions Inc.]], had been responsible for the design and construction of many familiar items used in ''[[Star Trek: The Original Series]]''.
   
−
Chang's association with ''Star Trek'' began in {{y|1964}} when he was hired to create make-up and props for {{TOS|The Cage}} by Producer [[Robert Justman]]. His first contribution was the prosthetic [[Talosian]] head make-up. He then designed the [[laser pistol]] for the pilot, after Justman was unsatisfied with the original designs. He was later hired to design various items for the regular series, including the famous [[tricorder]], flip-top [[communicator]] props and the [[Romulan Bird-of-Prey (23rd century)|Romulan Bird of Prey]] [[studio model]]. He was usually sent a copy of the script for the episode he was hired to work on, and he began to work on design, make sketches and models in his home. Chang's association with ''Star Trek'' ended in middle of the second season after the fabrication of dozens of [[Tribble]]s props, either because of the budget cuts or Desilu's purchase by Paramount (or both).
+
Chang's association with ''Star Trek'' began in {{y|1964}} when he was hired to create make-up and props for {{TOS|The Cage}} by Producer [[Robert Justman]]. His first contribution was the prosthetic [[Talosian]] head make-up. He then designed the [[laser pistol]] for the pilot, after Justman was unsatisfied with the original designs. He was later hired to design various items for the regular series, including the famous [[tricorder]], flip-top [[communicator]] props and the {{dis|Romulan Bird-of-Prey|23rd century}} [[studio model]]. He was usually sent a copy of the script for the episode he was hired to work on, and he began to work on design, make sketches and models in his home. Chang's association with ''Star Trek'' ended in middle of the [[TOS Season 2|second season]] after the fabrication of dozens of [[tribble]] props, conceivably due to the budget cuts resulting from Desilu's purchase by Paramount.
   
−
Originally his work was not credited, nor did Chang take the credit afterwards and his work for ''Star Trek'' went unnoticed well into the 1970s. It was through the [[Trekkie|fan]]dom of the 1970s that his contributions became known. The reason for this state of affairs was eventually revealed when Producers [[Herb Solow]] and Justman published their book ''[[Inside Star Trek: The Real Story]]'' in 1996. In it (pages 119-120) Justman described that it all originated from a conflict with a propmaker's union. Chang as a non-member was neither allowed per their rules to fabricate props for the show, nor was he allowed to join. On Justman's urging, who considered Chang's work superior to anything else available, the studio devised a ruse to make it appear that the props were bought as pre-existing and off-the-shelf from Chang and it was reflected as such in the invoices sent to Desilu. As a result Chang could not be officially credited for his contributions. The ruse however, appeared to have been uncovered by the union, and might have served as an additional reason why Chang's talents were not called upon again from the mid-second season onward. [http://www.absoluteastronomy.com/topics/The_Enterprise_Incident_%28TOS_episode%29]
 +
Originally his work was not credited, nor did Chang take the credit afterwards and his work for ''Star Trek'' went unnoticed well into the 1970s. It was through [[Trekkie|fan]]dom and its corresponding [[Star Trek convention|''Star Trek'' convention]] circuit of the 1970s that his contributions became known. The reason for this state of affairs was eventually revealed when Producers [[Herb Solow]] and Justman published their book ''[[Inside Star Trek: The Real Story]]'' in 1996. In it (pp. 119-120) Justman described that it all originated from a conflict with the propmaker's union. Chang as a non-member was neither allowed per their rules to fabricate props for the show, nor was he allowed to join, creating a catch-22 situation. On Justman's urging, who considered Chang's work superior to anything elsewhere available by far, the studio devised a ruse to make it appear that the props were bought as pre-existing and off-the-shelf from Chang, which was allowed under union rules, and it was reflected as such in the invoices sent to Desilu. As a result Chang could neither be officially credited for his contributions, nor be mentioned in the, otherwise thorough, contemporary [[reference book]] ''[[The Making of Star Trek]]'', where most of his hand-held props were prominently featured. The ruse however, was uncovered by the union just prior to the start of the second season, as mentioned by Justman in his book, and might have served as an additional reason why Chang's talents were not called upon again from the mid-second season onward, as the union was now alerted to Chang's involvement. [http://www.absoluteastronomy.com/topics/The_Enterprise_Incident_%28TOS_episode%29]
   
 
== Career outside ''Star Trek'' ==
  
== Career outside ''Star Trek'' ==
−
Chang and his company Project Unlimited, Inc. designed puppets, costumes, sets, make-up, and special effects for a number of films, most notably producer/director {{w|George Pal}}'s science fiction and fantasy features, including ''tom thumb'' (1958), ''The Time Machine'' (1960, with [[Whit Bissell]]), and ''The Wonderful World of the Brothers Grimm'' (1962, with [[Ian Wolfe]] and [[Jon Lormer]]). He also worked on classic pictures such as ''The King and I'' (1956), ''Spartacus'' (1960, with [[Jean Simmons]], [[Peter Brocco]], [[John Hoyt]], [[Arthur Batanides]], [[William Blackburn]], [[Paul Lambert]], [[Dick Crockett]], [[Seamon Glass]], and narration by [[Vic Perrin]]), and ''Mutiny of the Bounty'' (1962, with [[Antoinette Bower]], [[Torin Thatcher]], and stunts by [[Paul Baxley]]). Chang designed the famous headdresses worn by {{w|Elizabeth Taylor}} in ''Cleopatra'' (1963, with John Hoyt).
 +
Chang and his company Project Unlimited, Inc. designed puppets, costumes, sets, make-up, and special effects for a number of films, most notably producer/director {{w|George Pal}}'s science fiction and fantasy features, including ''tom thumb'' (1958), ''The Time Machine'' (1960, with [[Whit Bissell]] and for which he designed the title object), and ''The Wonderful World of the Brothers Grimm'' (1962, with [[Ian Wolfe]] and [[Jon Lormer]]). He also worked on classic pictures such as ''The King and I'' (1956), ''Spartacus'' (1960, with [[Jean Simmons]], [[Peter Brocco]], [[John Hoyt]], [[Arthur Batanides]], [[William Blackburn]], [[Paul Lambert]], [[Dick Crockett]], [[Seamon Glass]], and narration by [[Vic Perrin]]), and ''Mutiny of the Bounty'' (1962, with [[Antoinette Bower]], [[Torin Thatcher]], and stunts by [[Paul Baxley]]). Chang designed the famous headdresses worn by {{w|Elizabeth Taylor}} in ''Cleopatra'' (1963, with John Hoyt).
   
 
On television, Chang designed masks, creatures, and special effects for ''The Outer Limits'' (1963-1965), where his cooperation with ''Star Trek'' associate producer [[Robert H. Justman]] began. He was also a dinosaur model maker on the television series ''Land of the Lost'' (1974-1976) and also worked on the special effects of the original ''Planet of the Apes'' (1968, with [[Lou Wagner]], [[James Daly]], [[Paul Lambert]], [[Billy Curtis]], [[Jane Ross]] and [[Felix Silla]] and music by [[Jerry Goldsmith]]).
  
On television, Chang designed masks, creatures, and special effects for ''The Outer Limits'' (1963-1965), where his cooperation with ''Star Trek'' associate producer [[Robert H. Justman]] began. He was also a dinosaur model maker on the television series ''Land of the Lost'' (1974-1976) and also worked on the special effects of the original ''Planet of the Apes'' (1968, with [[Lou Wagner]], [[James Daly]], [[Paul Lambert]], [[Billy Curtis]], [[Jane Ross]] and [[Felix Silla]] and music by [[Jerry Goldsmith]]).
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* The [[Taurus II anthropoid|anthropoid creature]] in {{e|The Galileo Seven}}
  
* The [[Taurus II anthropoid|anthropoid creature]] in {{e|The Galileo Seven}}
 
* The [[Gorn]] costume in {{e|Arena}}
  
* The [[Gorn]] costume in {{e|Arena}}
−
* The [[neural parasite (23rd century)|neural parasites]] in {{e|Operation -- Annihilate!}}
 +
* The {{dis|neural parasite|23rd century}} in {{e|Operation -- Annihilate!}}
 
* The [[tribble]]s in {{e|The Trouble with Tribbles}}
  
* The [[tribble]]s in {{e|The Trouble with Tribbles}}
   
 
== Further reading ==
  
== Further reading ==
 
* [http://www.amazon.com/Life-Sculpture-Wah-Ming-Chang/dp/0962529311/ref=sr_1_1?ie=UTF8&s=books&qid=1275677925&sr=1-1 Life and Sculpture of Wah Ming Chang], Wah Ming Chang, 1989
  
* [http://www.amazon.com/Life-Sculpture-Wah-Ming-Chang/dp/0962529311/ref=sr_1_1?ie=UTF8&s=books&qid=1275677925&sr=1-1 Life and Sculpture of Wah Ming Chang], Wah Ming Chang, 1989
−  
 
* [http://www.amazon.com/Wah-Ming-Chang-Multicultural-Biographies/dp/0894906399 Wah Ming Chang: Artist and Master of Special Effects], Enslow Publishers, 1995
  
* [http://www.amazon.com/Wah-Ming-Chang-Multicultural-Biographies/dp/0894906399 Wah Ming Chang: Artist and Master of Special Effects], Enslow Publishers, 1995
   

Revision as of 17:15, 4 December 2014

Template:Realworld

Hawaiian prop and creature designer Wah Ming Chang (2 August 1917 – 22 December 2003; age 86), surreptitiously contracted by Desilu Productions Inc., had been responsible for the design and construction of many familiar items used in Star Trek: The Original Series.

Chang's association with Star Trek began in 1964 when he was hired to create make-up and props for TOS: "The Cage" by Producer Robert Justman. His first contribution was the prosthetic Talosian head make-up. He then designed the laser pistol for the pilot, after Justman was unsatisfied with the original designs. He was later hired to design various items for the regular series, including the famous tricorder, flip-top communicator props and the Romulan Bird-of-Prey studio model. He was usually sent a copy of the script for the episode he was hired to work on, and he began to work on design, make sketches and models in his home. Chang's association with Star Trek ended in middle of the second season after the fabrication of dozens of tribble props, conceivably due to the budget cuts resulting from Desilu's purchase by Paramount.

Originally his work was not credited, nor did Chang take the credit afterwards and his work for Star Trek went unnoticed well into the 1970s. It was through fandom and its corresponding Star Trek convention circuit of the 1970s that his contributions became known. The reason for this state of affairs was eventually revealed when Producers Herb Solow and Justman published their book Inside Star Trek: The Real Story in 1996. In it (pp. 119-120) Justman described that it all originated from a conflict with the propmaker's union. Chang as a non-member was neither allowed per their rules to fabricate props for the show, nor was he allowed to join, creating a catch-22 situation. On Justman's urging, who considered Chang's work superior to anything elsewhere available by far, the studio devised a ruse to make it appear that the props were bought as pre-existing and off-the-shelf from Chang, which was allowed under union rules, and it was reflected as such in the invoices sent to Desilu. As a result Chang could neither be officially credited for his contributions, nor be mentioned in the, otherwise thorough, contemporary reference book The Making of Star Trek, where most of his hand-held props were prominently featured. The ruse however, was uncovered by the union just prior to the start of the second season, as mentioned by Justman in his book, and might have served as an additional reason why Chang's talents were not called upon again from the mid-second season onward, as the union was now alerted to Chang's involvement. [1]

Career outside Star Trek

Chang and his company Project Unlimited, Inc. designed puppets, costumes, sets, make-up, and special effects for a number of films, most notably producer/director George Pal's science fiction and fantasy features, including tom thumb (1958), The Time Machine (1960, with Whit Bissell and for which he designed the title object), and The Wonderful World of the Brothers Grimm (1962, with Ian Wolfe and Jon Lormer). He also worked on classic pictures such as The King and I (1956), Spartacus (1960, with Jean Simmons, Peter Brocco, John Hoyt, Arthur Batanides, William Blackburn, Paul Lambert, Dick Crockett, Seamon Glass, and narration by Vic Perrin), and Mutiny of the Bounty (1962, with Antoinette Bower, Torin Thatcher, and stunts by Paul Baxley). Chang designed the famous headdresses worn by Elizabeth Taylor in Cleopatra (1963, with John Hoyt).

On television, Chang designed masks, creatures, and special effects for The Outer Limits (1963-1965), where his cooperation with Star Trek associate producer Robert H. Justman began. He was also a dinosaur model maker on the television series Land of the Lost (1974-1976) and also worked on the special effects of the original Planet of the Apes (1968, with Lou Wagner, James Daly, Paul Lambert, Billy Curtis, Jane Ross and Felix Silla and music by Jerry Goldsmith).

In 1994, he was given the George Pal Memorial Award by the Academy of Science Fiction, Fantasy & Horror Films for his contributions to the genres.

Contributions

Manufactured props

Designed and manufactured props

Further reading

External links

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