"The Minstrel Boy" was an Earth song that Chief Miles O'Brien often used as his "happy thought" in dire situations. His one-time captain, Benjamin Maxwell, was also fond of the song. (TNG: "The Wounded").
- The minstrel boy to the war is gone
- In the ranks of death he will find him
- His father's sword he hath girded on
- And his wild harp slung behind him
- "Land of Song" said the warrior bard
- "Tho' all the world betrays thee
- One sword, at least, thy right shall guard
- One faithful harp shall praise thee"
- The minstrel fell, but the foeman's chain
- Could not bring that proud soul under
- The harp he lov'd ne'er spoke again
- For he tore its chords asunder
- And said "no chains shall sully thee,
- Thou soul of love and bravery
- Thy songs were made for the pure and free
- They shall never sound in slavery"
In "The Wounded", the song is both sung by O'Brien and Maxwell and used as a thematic overture.
The tune of "The Minstrel Boy" is played in the soundtrack of Star Trek: Deep Space Nine's final episode "What You Leave Behind". It can be heard playing during the scene where O'Brien takes one last look at his quarters and finds the figurine of William B. Travis.
The tune of "The Minstrel Boy" is also played in the soundtrack of Star Trek: The Next Generation episode "Hollow Pursuits". It can be heard playing during the scene where Lieutenant Reginald Barclay is seen leaving the Holodeck at the end of the episode.
"The Minstrel Boy" is believed to have been written by Irish poet Thomas Moore (1779-1852) to commemorate friends who had died in the 1798 Irish rebellion against British rule. The song has been used in many film and television productions including The Man Who Would be King (starring Michael Caine, Sean Connery, and Christopher Plummer) and Black Hawk Down (which starred Tom Hardy).