TNG Season 3

Real world article
(written from a Production point of view)

Episodes

Title	Episode	Production number	Stardate	Original airdate
"Evolution"	3x01	40273-150	43125.8	1989-09-25
"The Ensigns of Command"	3x02	40273-149	Unknown	1989-10-02
"The Survivors"	3x03	40273-151	43152.4–43153.7	1989-10-09
"Who Watches The Watchers"	3x04	40273-152	43173.5–43174.2	1989-10-16
"The Bonding"	3x05	40273-153	43198.7	1989-10-23
"Booby Trap"	3x06	40273-154	43205.6	1989-10-30
"The Enemy"	3x07	40273-155	43349.2	1989-11-06
"The Price"	3x08	40273-156	43385.6	1989-11-13
"The Vengeance Factor"	3x09	40273-157	43421.9	1989-11-20
"The Defector"	3x10	40273-158	43462.5–43465.2	1990-01-01
"The Hunted"	3x11	40273-159	43489.2	1990-01-08
"The High Ground"	3x12	40273-160	43510.7	1990-01-29
"Deja Q"	3x13	40273-161	43539.1	1990-02-05
"A Matter of Perspective"	3x14	40273-162	43610.4–43611.6	1990-02-12
"Yesterday's Enterprise"	3x15	40273-163	43625.2	1990-02-19
"The Offspring"	3x16	40273-164	43657.0	1990-03-12
"Sins of The Father"	3x17	40273-165	43685.2	1990-03-19
"Allegiance"	3x18	40273-166	43714.1	1990-03-26
"Captain's Holiday"	3x19	40273-167	43745.2	1990-04-02
"Tin Man"	3x20	40273-168	43779.3	1990-04-23
"Hollow Pursuits"	3x21	40273-169	43807.4–43808.2	1990-04-30
"The Most Toys"	3x22	40273-170	43872.2	1990-05-07
"Sarek"	3x23	40273-171	43917.4–43920.7	1990-05-14
"Ménage à Troi"	3x24	40273-172	43930.7	1990-05-28
"Transfigurations"	3x25	40273-173	43957.2–43960.6	1990-06-04
"The Best of Both Worlds"	3x26	40273-174	43989.1–43998.5	1990-06-18

Summary

Season 3 is marked by a string of abductions, with six people being kidnapped, and Captain Picard being abducted no less than three times. Captain Picard is abducted by aliens, takes a vacation which eventually gets him caught up in the search for a weapon from the future, mind melds with the legendary Vulcan Sarek, and is mistaken for a god by a primitive culture. He was again kidnapped with Doctor Crusher by Ansata terrorists. Data was abducted by Kivas Fajo, a collector of rare objects. He also continued to learn about Humanity, and constructed his own daughter, Lal. Worf adopts as his brother a young boy whose mother was killed under his command, and later meets with his real brother as his family is discommended because of the lies of Duras, a storyline which would continue into the next season, and onward. Commander Riker, Counselor Troi, and her mother Lwaxana Troi are all abducted by the Ferengi.

This season also features a loose story arc involving political tension between the Federation and the Romulan Star Empire, and the latter's attempts to destabilize the Federation-Klingon alliance. This story line continues into season four, and is closely linked to the Worf/Duras story arc.

The USS Enterprise-D encounters the USS Enterprise-C which emerges from a time vortex, causing significant alterations to history. This is eventually resolved and removed from everyone's memories, though it had the side effect of creating a duplicate Lieutenant Natasha Yar in the past, who went on to become the mother of Sela before being killed by Romulans.

Additionally, Reginald Barclay comes on board the USS Enterprise-D and slowly begins to learn how to become a better officer, and Wesley Crusher is promoted to the rank of full ensign by Captain Picard after successfully discovering the key to rescuing Commander Riker, Counselor Deanna Troi and her mother Lwaxana, at the expense of his own entry into Starfleet Academy.

The season ends with the Borg entering Federation space, assimilating Captain Picard, and proceeding on a course to Earth, leaving Riker with the choice of whether or not to attempt to save Captain Picard.

Background information

A Season 3 "class photo"

• Gates McFadden returns to the cast as Doctor Beverly Crusher. Her first episode back is "The Ensigns of Command", although "Evolution" would air first.
• In the first episode of Season 3, La Forge has been promoted from lieutenant to lieutenant commander and Worf from lieutenant j.g. to full lieutenant.
• Cinematographer Edward R. Brown retires and is replaced by Marvin Rush, who continues to work on Star Trek for the next sixteen years. Rush's preference for a bright, vibrant color scheme (as opposed to the more subdued lighting used by Brown) heavily alters the look of the series from this season onwards.
• The Starfleet uniforms are redesigned twice. Initially, they are still made of a spandex-like material, but are looser fitting with a raised collar and no striping on the shoulders. Later in the season, the main characters receive uniforms manufactured with wool gabardine. The redesign was to relieve back pain caused by the spandex uniforms. Background extras continue to use the original uniforms until the following season.
• The type 2 phasers are redesigned by Rick Sternbach. Later in the season, the tricorder props are reconstructed with greater detail by Ed Miarecki.
• A new four-foot model of the USS Enterprise-D is built by Greg Jein. It makes its debut in "The Defector". Although it is incapable of saucer separation, it has more surface detail and accurately-lit Ten Forward windows.
• Head writer Maurice Hurley left after the second season, citing exhaustion from the in-fighting so prevalent among the writing staff in the early seasons. (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 171) Michael Wagner initially took over the writing staff, but stepped down after only four episodes. According to regular director Cliff Bole, "I just don't think it was his cup of tea as far as the way the show worked, and the way Rick and everybody knows the show so well that they all rely on each other. Input even comes in from the technical guys, who have almost been in space. I just don't think it was the way he'd been operating in other places." (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 183) Wagner was in turn replaced by Michael Piller, who had impressed Berman and Gene Roddenberry with the script for "Evolution". (Star Trek: The Next Generation Companion (2nd ed., p. 98))
• This is the first season to conclude with a cliffhanger: "The Best of Both Worlds". From here on out, every season begins with the conclusion to the previous season's cliffhanger episode, and ends with another cliffhanger, with the exception of the final season, which concludes with the series finale, "All Good Things..."
• Beginning this season, a new opening credits sequence is used. Previously, the credits featured a departure from Earth through the Terran solar system. From this season on, however, the credits feature various exotic stellar phenomena, beginning with the trademark blue nebula. Later, as the shot pans through a star system, the ringed planet shown is clearly not Saturn, as its surface appears to be rocky with what seem to be lava formations on the night side. The rings of the planet mask a visual inconsistency with the star fields between the new footage and the edit to the original shots of the ship from the Season 1 and 2 intro sequence.
• Jonathan Frakes makes his directorial debut, becoming the first of many Star Trek cast members to direct an episode. His first episode as director was "The Offspring". (He was not the first Star Trek performer to direct an episode, however, as TOS guest star Richard Compton had directed the episode "Haven" in the first season, and original cast members Leonard Nimoy and William Shatner had previously directed Star Trek films).
• Mark Lenard's appearance as Sarek in the eponymous episode marked the second occasion in which a character from Star Trek: The Original Series crossed over to The Next Generation.

Credits

Cast

• Patrick Stewart as Captain Jean-Luc Picard
• Jonathan Frakes as Commander William T. Riker
• LeVar Burton as Lieutenant Commander Geordi La Forge ("Evolution” – “Allegiance", "Tin Man” – “The Best of Both Worlds")
• Michael Dorn as Lieutenant Worf
• Gates McFadden as Doctor Beverly Crusher
• Marina Sirtis as Counselor Deanna Troi
• Brent Spiner as Lieutenant Commander Data
• Wil Wheaton as Acting Ensign/ Ensign Wesley Crusher ("Evolution” – “The Survivors", "The Bonding” – “The Vengeance Factor", "The Hunted” – “The High Ground", "A Matter of Perspective” – “Allegiance", "Tin Man” – “The Best of Both Worlds")

Crew

Creator

• Gene Roddenberry

Line Producer

• David Livingston

Co-Producers

• Hans Beimler
• Richard Manning
• Peter Lauritson

Producer

• Ira Steven Behr ("The Vengeance Factor” – “The Best of Both Worlds")

Co-Executive Producer

• Michael Piller ("The Bonding” – “The Best of Both Worlds")

Executive Producers

• Rick Berman
• Gene Roddenberry

Executive Script Consultant

• Melinda M. Snodgrass ("Evolution” – “Ménage à Troi")

Executive Story Editor

• Richard Danus ("Booby Trap” – “Deja Q")

Story Editor

• Ronald D. Moore ("Sins of The Father” – “The Best of Both Worlds")

Casting by

• Junie Lowry

Music by

• Ron Jones ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "A Matter of Perspective", "The Offspring", "Allegiance", "Ménage à Troi", "The Best of Both Worlds")
• Dennis McCarthy ("The Ensigns of Command” – “The Survivors", "The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted", "Deja Q", "Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Hollow Pursuits” – “Sarek", "Transfigurations")
• Jay Chattaway ("Tin Man")

Main Title Theme by

• Jerry Goldsmith
• Alexander Courage

Director of Photography

• Marvin Rush

Production Designer

• Richard D. James

Editors

• J.P. Farrell ("Evolution", "The Bonding", "The Price", "The Hunted", "A Matter of Perspective", "Sins of The Father", "Tin Man", "The Best of Both Worlds")
• Bob Lederman ("The Ensigns of Command", "Who Watches The Watchers", "The Enemy", "The Defector", "Deja Q", "The Offspring", "Captain's Holiday", "The Most Toys", "Transfigurations")
• Tom Benko, A.C.E. ("The Survivors", "Booby Trap", "The Vengeance Factor", "The High Ground", "Yesterday's Enterprise", "Allegiance", "Hollow Pursuits") (received credit as A.C.E. from "Allegiance" on)
• Daryl S. Baskin ("Sarek")
• Howard S. Deane, A.C.E. ("Ménage à Troi")

Unit Production Manager

• Merri D. Howard

First Assistant Directors

• Chip Chalmers ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "A Matter of Perspective", "The Offspring", "The Most Toys", "Ménage à Troi", "The Best of Both Worlds")
• Brad Yacobian ("The Ensigns of Command” – “The Survivors", "The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted", "Deja Q", "Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Hollow Pursuits", "Sarek", "Transfigurations")
• Adele G. Simmons ("A Matter of Perspective")
• Bruce Alan Solow ("Allegiance", "Tin Man") (credited as Bruce Allen Solow in "Tin Man")

Second Assistant Directors

• Adele G. Simmons ("Evolution” – “Deja Q", "Yesterday's Enterprise” – “The Best of Both Worlds")
• Jeff Cline ("A Matter of Perspective")

Costume Designer

• Robert Blackman (credited as Bob Blackman until "Who Watches The Watchers")

Original Starfleet Uniforms / Starfleet Uniforms Created By

• William Ware Theiss

Visual Effects Supervisors

• Rob Legato ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "A Matter of Perspective", "The Offspring", "Allegiance", "Tin Man", "Ménage à Troi", "The Best of Both Worlds") (credited as Robert Legato from "Ménage à Troi" on)
• Dan Curry ("The Ensigns of Command” – “The Survivors", "The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted", "Deja Q", "Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Sarek", "Transfigurations")
• Ron Moore ("Hollow Pursuits")
• Gary Hutzel ("The Most Toys")

Post Production Supervisor

• Wendy Neuss

Original Set Design

• Herman Zimmerman

Make-Up Supervisor

• Michael Westmore

Set Decorators

• Tom Pedigo ("Evolution” – “The Enemy")
• Jim Mees ("The Price” – “The Best of Both Worlds")

Senior Illustrator/ Technical Consultant

• Rick Sternbach (credited only as Senior Illustrator until "Allegiance")

Scenic Art Supervisor/ Technical Consultant

• Michael Okuda (credited only as Scenic Art Supervisor until "Allegiance")

Set Designer

• Gary Speckman

Script Supervisor

• Cosmo Genovese

Special Effects

• Dick Brownfield

Property Masters

• Alan Sims ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "A Matter of Perspective", "The Offspring", "Allegiance", "Tin Man", "The Most Toys", "Ménage à Troi", "The Best of Both Worlds")
• Joe Longo ("The Ensigns of Command” – “The Survivors", "The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted", "Deja Q", "Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Hollow Pursuits", "Sarek", "Transfigurations")

Construction Coordinator

• Al Smutko

Hair Designer

• Vivian McAteer

Hair Stylists

• Barbara Lampson ("Evolution” – “The Defector", "The High Ground", "A Matter of Perspective", "The Offspring” – “The Best of Both Worlds")
• Tim Jones ("The Hunted", "Deja Q")
• Rita Bordonaro ("Yesterday's Enterprise")

Make-Up Artists

• Gerald Quist ("Evolution” – “Transfigurations")
• June Abston Haymore
• Hank Edds, S.M.A. ("The Best of Both Worlds")

Production Associate

• Susan Sackett

Visual Effects Coordinators

• Gary Hutzel ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "A Matter of Perspective", "The Offspring", "Allegiance", "Tin Man", "Ménage à Troi", "The Best of Both Worlds")
• Ron Moore ("The Ensigns of Command” – “The Survivors", "The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted", "Deja Q", "Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Sarek", "Transfigurations")

Production Coordinator

• Diane Overdiek

Post Production Associates

• Terri Martinez ("The Survivors” – “The Best of Both Worlds")
• Heidi Julian ("Deja Q” – “The Best of Both Worlds")
• Wendy Rosenfeld ("Deja Q” – “The Best of Both Worlds")

Assistants to the Producers

• Terri Martinez ("Evolution” – “The Ensigns of Command")
• Carol Eisner ("Evolution” – “The Ensigns of Command")

Sound Mixer

• Alan Bernard, C.A.S.

Chief Lighting Technician

• Buddy Bowles

First Company Grip

• Bob Sordal

Costumers

• Kimberley Thompson ("Evolution", "The Bonding", "The Price", "The Hunted", "A Matter of Perspective", "Sins of The Father", "Tin Man", "Sarek", "The Best of Both Worlds") (credited as Kimberly Thompson in "The Bonding", "The Price", "Sins of The Father", and "Sarek")
• David Velasquez ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "Transfigurations")
• Camille Argus ("The Ensigns of Command", "Who Watches The Watchers", "Booby Trap", "The Vengeance Factor", "The High Ground", "Yesterday's Enterprise", "Allegiance", "Hollow Pursuits", "Ménage à Troi")
• Amanda Chamberlin ("The Ensigns of Command” – “The Survivors", "The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted", "Deja Q", "Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Hollow Pursuits", "Sarek")
• Kris Jorgensen ("The Survivors", "The Enemy", "The Defector", "Deja Q", "The Offspring", "Captain's Holiday", "The Most Toys", "Transfigurations") (credited as Chris Jorgensen in "Deja Q")
• David Page ("A Matter of Perspective", "The Offspring", "Allegiance", "Tin Man", "The Most Toys", "Ménage à Troi")
• Norma Johnson ("The Best of Both Worlds")

Visual Effects Associate

• David Takemura ("Deja Q” – “The Best of Both Worlds")

Music Editor

• Gerry Sackman

Supervising Sound Editor

• Bill Wistrom

Sound Editors

• James Wolvington
• Mace Matiosian
• Wilson Dyer

Post Production Sound By

• Modern Sound

Pre-Production Associate

• Eric A. Stillwell ("Deja Q” – “The Best of Both Worlds")

Casting Executive

• Helen Mossler

Stunt Coordinator

• Dennis Madalone ("Evolution” – “The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted” – “Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Hollow Pursuits” – “Sarek", "Transfigurations” – “The Best of Both Worlds")

Assistant Scenic Artist

• Cari Thomas

Art Studio Paintings By

• Elaine Sokoloff ("A Matter of Perspective")

Research Consultant

• Richard Arnold

Computer Monitors By

• Sony Corp. of America ("Evolution” – “The Ensigns of Command", "Booby Trap", "The Price” – “Sins of The Father", "Tin Man” – “The Most Toys", "Ménage à Troi” – “The Best of Both Worlds")

Lenses and Panaflex ® Cameras By

• Panavision ®

Special Visual Effects By

• Industrial Light & Magic, A Division of Lucasfilm, Ltd.

Additional Motion Control Facilities

• Image "G"

Video Optical Effects By

• The Post Group

Special Video Compositing

• Composite Image Systems

Editing Facilities

• Unitel Video

Uncredited

• Dave Archer – Artwork Provider: Paintings ("Booby Trap", "The Vengeance Factor", "The Defector", "The Offspring", "Sins of the Father", "Tin Man", "Sarek")
• Rita Bellissimo – Hair Stylist ("Hollow Pursuits")
• Steve Burg – Model Maker: Promellian battle cruiser ("Booby Trap")
• John Earl Burnett – First Assistant Camera Operator: Additional Photography/VFX Unit ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price")
• Lloyd A. Buswell – Construction Foreman
• John Caglione, Jr. – Makeup Artist ("Allegiance")
• Joe Chess – "A" Camera Operator
• Jerri Churchill – DGA Trainee ("Tin Man” – “Transfigurations")
• Ray Clarke – DFX Paint FX Artist: The Post Group
• Doug Davey – Re-Recording Mixer ("Yesterday's Enterprise")
• Thomas F. Denove – 2nd Unit Director of Photography ("The Ensigns of Command")
• Doug Drexler – Makeup Artist ("A Matter Of Perspective"); Special Effects Make-Up Artist ("Allegiance")
• Syd Dutton – Matte Artist ("The Ensigns of Command", "Sins of The Father", "The Best of Both Worlds")
• Hank Edds – Makeup Artist ("Allegiance")
• Alfred T. Ferrante – ADR/ Foley Mixer
• Carl Fortina – Orchestra Contractor
• Donald S. Foster – Set Dresser
• Rick Freeman – Sound Editor ("Yesterday's Enterprise")
• Hala Gabriel – Accountant
• Shari Goodhartz – Writing Staff Intern ("Allegiance” – “The Best of Both Worlds")
• Don Greenberg – Lead Compositor/ Visual Effects Editor: The Post Group ("Tin Man", "The Best of Both Worlds")
• Chris Haire – Re-Recording Mixer ("Yesterday's Enterprise")
• Joseph Hodges – Set Designer: Zibalian escape pod ("The Most Toys")
• Dennis Hoerter – Motion Control Technician ("Evolution” – “The Best of Both Worlds")
• Nancy J. Hvasta Leonardi – Makeup Artist ("Evolution” – “The Best of Both Worlds")
• Gregory Jein – Model Maker
• Stan Kellam – Visual Effects Editor: The Post Group
• Kristina Kochoff – Production Assistant
• David Krieger – Scientific Technical Advisor
• Don Lee – Visual Effects Editor ("Deja Q", "Tin Man", "The Best of Both Worlds")
• Peter Levin – Whale Sound Specialist ("Tin Man")
• Jill MacKay – Jewelry Designer
• Gary Maynard – Special Effects Technician: Image "G"
• Tony Meininger – Model Maker: Delta Rana warship ("The Survivors")
• Ed Miarecki – Prop Maker
• Richard L. Morrison – Re-Recording Mixer ("Yesterday's Enterprise")
• Peter Moyer – Visual Effects Editor: The Post Group ("Deja Q")
• Erik Nash – Motion Control Supervisor ("Tin Man"); Motion Control Camera Operator ("The Best of Both Worlds")
• Frank Orsatti – Stunt Coordinator ("A Matter of Perspective")
• Ernie Over – Assistant to Gene Roddenberry
• Michael Piller – Teleplay ("Yesterday's Enterprise")
• Steve Price – Quantel Harry Artist: The Post Group ("Deja Q"); Visual Effects Animator ("Tin Man"); Visual Effects Animation Designer ("The Best of Both Worlds")
• Maricella Ramirez – Key First Assistant Camera Operator
• Joseph Smith – Orchestrator
• Elaine Sokoloff – Scenic and Graphic Artist ("The High Ground", "The Most Toys")
• Armin Steiner – Music Scoring Mixer
• Eric Stillwell – Script Coordinator ("Booby Trap")
• Greg R. Stone – Special Effects Technician ("The Ensign of Command", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "A Matter of Perspective", "The Offspring", "Allegiance", "The Most Toys")
• Robert Stromberg – Matte Artist ("The Best of Both Worlds")
• Bill Taylor – Matte Cameraperson ("The Best of Both Worlds")
• Ron Thornton – Model Maker: Promellian battle cruiser ("Booby Trap")
• Jerry Trent – Foley Artist ("Allegiance")
• Guy Vardaman – Research Consultant ("Evolution” – “The Defector")
• Elaina M. Vescio – Set Security
• Michael Wagner – Co-Executive Producer ("Evolution” – “Who Watches The Watchers")
• Jana Wallace – Secretary to Gene Roddenberry/Script typist
• Ron Walters – Makeup Artist ("Allegiance")
• L.Z. Ward – Set Security
• Michael Westmore, Jr. – Prosthetic Electronics ("The Offspring", "The Best of Both Worlds")
• Dana White – Art Department Associate / Model Maker: Gregory Jein, Inc.
• Lisa Putman White – Co-Writer ("Tin Man")
• Beth Woods – Additional Story Material ("Sins of the Father")

Production companies

• Central Casting – Extras Casting

See also

• TNG Season 3 performers
• TNG Season 3 UK VHS
• TNG Season 3 US VHS
• TNG Season 3 DVD
• TNG Season 3 Blu-ray

External links

• Star Trek: The Next Generation season 3 at Memory Beta, the wiki for licensed Star Trek works
• Star Trek: The Next Generation Season Three Credits at StarTrek.com
• The Next Generation Season 3 episode reviews at Ex Astris Scientia

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Seasons of Star Trek: The Next Generation

Next season: TNG Season 4