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{{realworld}}
 
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{{Sidebar crew|
 
{{Sidebar crew|
| Name = Richard Yuricich
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| Name = Richard Yuricich, ASC
 
| image = Richard Yuricich.jpg
 
| image = Richard Yuricich.jpg
 
| Birth name = Richard M. Yuricich
 
| Birth name = Richard M. Yuricich
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| Roles = [[:Category:Camera and electrical department|Visual Effects Producer]]
 
| Roles = [[:Category:Camera and electrical department|Visual Effects Producer]]
 
}}
 
}}
'''Richard "Dick" M. Yuricich''' {{born|23|December|1942}} from Ohio, was the [[:Category: Visual effects companies|visual effects]] photographic producer in the {{y|1979}} film {{film|1}}.
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'''Richard "Dick" M. Yuricich''' {{born|23|December|1942}} from Ohio, was the [[:Category: Visual effects companies|visual effects]] (VFX) photographic producer/director of photography in the {{y|1979}} film {{film|1}}.
   
Yuricich was initially brought in on the movie in late July 1978 by [[Paramount Pictures]] CEO [[Michael Eisner]], to serve as an unpaid liaison between the studio and [[:Category: Visual effects companies|visual effects company]] [[Robert Abel & Associates]] (RA&A), as RA&A's budget requests started to spiral out of control, and his primary responsibility was to appraise the situation for the studio, essentially to serve as a studio spy. (''[[The Making of Star Trek: The Motion Picture]]'', pp. 203-204) The situation came to a head on {{d|22|February|1979}} when studio executives and producers came sizing up the visual effects situation at RA&A. The company reportedly had only a single completed effects shot to show for all the time and money spent, already four million dollars over budget at sixteen million dollars by December 1978. In an acrimonious atmosphere, Abel was fired on the spot and his company released, effective immediately, starting a frantic search for a replacement, as the studio now unexpectedly found itself extremely pressured for time since the release date for the movie was a given. It was then that Yuricich's own company, [[Future General Corporation]] (FGC), was contracted for the visual effects and that his participation became formal. (''[[The Special Effects of Trek]]'', pp. 29, 31)
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Yuricich was initially brought in on the movie in late July 1978 by [[Paramount Pictures]] CEO [[Michael Eisner]], to serve as an unpaid liaison between the studio and [[:Category: Visual effects companies|visual effects company]] [[Robert Abel & Associates]] (RA&A), as RA&A's budget requests started to spiral out of control, and his primary responsibility was to appraise the situation for the studio, essentially to serve as a studio spy. (''[[The Making of Star Trek: The Motion Picture]]'', pp. 203-204) Due to contractual obligations, an unmotivated Yuricich was forced to do this. An insensitive Eisner had actually tried to shut down his own company, [[Future General Corporation]] (FGC), of which Yuricich was co-founder as well as co-CEO nearly two years earlier. {{brokenlink|http://johnandjana.net/archive7/?p{{=}}3553}}
   
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The VFX situation came to a head on {{d|20|February|1979}} when studio executives and producers came sizing up the visual effects situation at RA&A. The company reportedly had only a single completed effects shot to show for all the time and money spent, already four million dollars over budget at sixteen million dollars by December 1978. Two days later, in an acrimonious atmosphere, Abel was fired and his company released , effective immediately, starting a frantic search for a replacement, as the studio now unexpectedly found itself extremely pressured for time since the release date for the movie was a given. It was then that Yuricich's own company, FGC, was contracted for the visual effects and that his participation became formal. (''[[The Special Effects of Trek]]'', pp. 29, 31) together with FGC co-founder [[Douglas Trumbull]], Yuricich used the problems the studio were in as leverage to secure a proviso that they would be released from their contractual studio obligations if they accepted. For the work, Trumbull and Yuricich, now paid, were able to partly reassemble the team they previously had on ''{{w|Close Encounters of the Third Kind}}'', but was forced to let go by the studio over a year earlier. Both men left FGC upon completion of the project.
Years later, in 2001, Kline was interviewed on his contributions for the [[DVD]] release of [[Star Trek: The Motion Picture (The Director's Edition)|''Star Trek: The Motion Picture'' (The Director's Edition)]]. [[Matte painting|Matte painter]] [[Matthew Yuricich]] was Richard's older brother, having worked together with him on several projects, including ''The Motion Picture''.
 
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Years later, in 2001, Yuricich was interviewed on his contributions for the [[DVD]] release of [[Star Trek: The Motion Picture (The Director's Edition)|''Star Trek: The Motion Picture'' (The Director's Edition)]]. Until then Yuricich had been loathe, understandably perhaps, to publicly divulge any information on his involvement in the production of the movie. As it turned out however, he '''had''' talked indepth – already occasionally venting his frustration with the studio in veiled wordings – about his work for the production in 1979, while he was still working on the movie, to ''[[Cinefantastique]]'' reporter [[Preston Neal Jones]], but the latter's copy was only published 35 years later in the title listed below.
  +
 
[[Matte painting|Matte painter]] [[Matthew Yuricich]] was Richard's older brother, having worked together with him on several projects, including ''The Motion Picture''.
   
 
==Career outside ''Star Trek''==
 
==Career outside ''Star Trek''==
 
He first served as a Rostrum animation cameraman for the 1968 sci-fi classic ''{{w|2001: A Space Odyssey (film)|2001: A Space Odyssey}}'' (1968, starring [[Gary Lockwood]]. It was on this occasion that he met Douglas Trumbull, forming a long association and friendship. In 1971, served as part of the special photographic effects team for Douglas Trumbull's film ''{{w|Silent Running}}'' (1972) which built upon a number of special effects techniques developed for ''2001''.
A long time close associate to colleague and friend [[Douglas Trumbull]], he served in the same capacity for the science fiction films ''{{w|Close Encounters of the Third Kind}}'' (starring [[Teri Garr]]) and ''{{w|Blade Runner}}'' (starring [[Joanna Cassidy]]). During the production of the first two features, he was in the employ as co-founder and full partner of Trumbull's FGC visual effects company. He shared [[Academy Award]] nominations with the rest of his special effects team for all three films. His work on the ''Star Trek'' film helped win the team the [[Saturn Award]] for "Best Special Effects."
 
   
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In 1975 both men founded FGC and served as effects photographic producer/director on that company's first full-blown theatrical movie for which the company provided the VFX, the acclaimed science fiction film ''Close Encounters of the Third Kind'' (1979, starring [[Teri Garr]]). Yuricich followed his friend after leaving FGC and worked, now employed at Trumbull's new company [[Entertainment Effects Group]] (EEG) on the equally acclaimed science fiction film ''{{w|Blade Runner}}'' (1982, starring [[Joanna Cassidy]]). During this period, he shared [[Academy Award]] nominations with the rest of their special effects team for all three films. His work on the ''Star Trek'' film helped win the team the [[Saturn Award]] for "Best Special Effects." Shortly thereafter, he later served as associate producer at EEG for the 1983 sci-fi thriller ''{{w|Brainstorm (1983 movie)|Brainstorm}}'', which was also directed by Trumbull, and starred ''[[Star Trek: Deep Space Nine]]'' actress [[Louise Fletcher]].
He first served as a Rostrum animation cameraman for the 1968 sci-fi classic ''{{w|2001: A Space Odyssey}}'' (starring [[Gary Lockwood]], and which started his long association with Trumbull). In 1971, served as part of the special photographic effects team for Douglas Trumbull's film ''{{w|Silent Running}}'' which built upon a number of special effects techniques developed for ''2001''.
 
   
  +
After Trumbull had sold EEG in 1984 to [[Richard Edlund]], for it to become [[Boss Film Studios]], Richard Yuricich became an independent contractor, consistently continuing to work in the motion picture industry as a VFX director of photography/supervisor throughout the subsequent decades.
He later served as associate producer in the 1983 sci-fi thriller ''{{w|Brainstorm (1983 movie)|Brainstorm}}'', which was also directed by Trumbull, and starred ''[[Star Trek: Deep Space Nine]]'' actress [[Louise Fletcher]].
 
   
 
== ''Star Trek'' awards ==
 
== ''Star Trek'' awards ==
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* 1980 Saturn Award win for ''Star Trek: The Motion Picture'', shared with John Dykstra, and Douglas Trumbull
 
* 1980 Saturn Award win for ''Star Trek: The Motion Picture'', shared with John Dykstra, and Douglas Trumbull
   
==''Star Trek'' interview==
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==''Star Trek'' interviews==
 
*[[Star Trek: The Motion Picture (The Director's Edition)|''Star Trek: The Motion Picture'' (The Director's Edition)]] [[DVD]]-special feature, "A Bold New ''Enterprise''", 2001
 
*[[Star Trek: The Motion Picture (The Director's Edition)|''Star Trek: The Motion Picture'' (The Director's Edition)]] [[DVD]]-special feature, "A Bold New ''Enterprise''", 2001
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*''[[Return to Tomorrow - The Filming of Star Trek: The Motion Picture]]'', December 2014
   
 
==External link==
 
==External link==

Revision as of 12:27, 8 January 2015

Template:Realworld

Richard "Dick" M. Yuricich (born 23 December 1942; age 81) from Ohio, was the visual effects (VFX) photographic producer/director of photography in the 1979 film Star Trek: The Motion Picture.

Yuricich was initially brought in on the movie in late July 1978 by Paramount Pictures CEO Michael Eisner, to serve as an unpaid liaison between the studio and visual effects company Robert Abel & Associates (RA&A), as RA&A's budget requests started to spiral out of control, and his primary responsibility was to appraise the situation for the studio, essentially to serve as a studio spy. (The Making of Star Trek: The Motion Picture, pp. 203-204) Due to contractual obligations, an unmotivated Yuricich was forced to do this. An insensitive Eisner had actually tried to shut down his own company, Future General Corporation (FGC), of which Yuricich was co-founder as well as co-CEO nearly two years earlier. Template:Brokenlink

The VFX situation came to a head on 20 February 1979 when studio executives and producers came sizing up the visual effects situation at RA&A. The company reportedly had only a single completed effects shot to show for all the time and money spent, already four million dollars over budget at sixteen million dollars by December 1978. Two days later, in an acrimonious atmosphere, Abel was fired and his company released , effective immediately, starting a frantic search for a replacement, as the studio now unexpectedly found itself extremely pressured for time since the release date for the movie was a given. It was then that Yuricich's own company, FGC, was contracted for the visual effects and that his participation became formal. (The Special Effects of Trek, pp. 29, 31) together with FGC co-founder Douglas Trumbull, Yuricich used the problems the studio were in as leverage to secure a proviso that they would be released from their contractual studio obligations if they accepted. For the work, Trumbull and Yuricich, now paid, were able to partly reassemble the team they previously had on Close Encounters of the Third Kind, but was forced to let go by the studio over a year earlier. Both men left FGC upon completion of the project.

Years later, in 2001, Yuricich was interviewed on his contributions for the DVD release of Star Trek: The Motion Picture (The Director's Edition). Until then Yuricich had been loathe, understandably perhaps, to publicly divulge any information on his involvement in the production of the movie. As it turned out however, he had talked indepth – already occasionally venting his frustration with the studio in veiled wordings – about his work for the production in 1979, while he was still working on the movie, to Cinefantastique reporter Preston Neal Jones, but the latter's copy was only published 35 years later in the title listed below.

Matte painter Matthew Yuricich was Richard's older brother, having worked together with him on several projects, including The Motion Picture.

Career outside Star Trek

He first served as a Rostrum animation cameraman for the 1968 sci-fi classic 2001: A Space Odyssey (1968, starring Gary Lockwood. It was on this occasion that he met Douglas Trumbull, forming a long association and friendship. In 1971, served as part of the special photographic effects team for Douglas Trumbull's film Silent Running (1972) which built upon a number of special effects techniques developed for 2001.

In 1975 both men founded FGC and served as effects photographic producer/director on that company's first full-blown theatrical movie for which the company provided the VFX, the acclaimed science fiction film Close Encounters of the Third Kind (1979, starring Teri Garr). Yuricich followed his friend after leaving FGC and worked, now employed at Trumbull's new company Entertainment Effects Group (EEG) on the equally acclaimed science fiction film Blade Runner (1982, starring Joanna Cassidy). During this period, he shared Academy Award nominations with the rest of their special effects team for all three films. His work on the Star Trek film helped win the team the Saturn Award for "Best Special Effects." Shortly thereafter, he later served as associate producer at EEG for the 1983 sci-fi thriller Brainstorm, which was also directed by Trumbull, and starred Star Trek: Deep Space Nine actress Louise Fletcher.

After Trumbull had sold EEG in 1984 to Richard Edlund, for it to become Boss Film Studios, Richard Yuricich became an independent contractor, consistently continuing to work in the motion picture industry as a VFX director of photography/supervisor throughout the subsequent decades.

Star Trek awards

Yuricich has received the following awards and nominations in the various Special/Visual Effects categories:

Academy Awards

Saturn Awards

  • 1980 Saturn Award win for Star Trek: The Motion Picture, shared with John Dykstra, and Douglas Trumbull

Star Trek interviews

External link

  • Template:IMDb-link