- For additional meanings of "Klingon", please see Klingon.
"A Klingon's honor means more to him than his life!"
The Klingons (Klingonese: tlhIngan) were a humanoid warrior species that originated from the planet Qo'noS (pronounced Kronos), an M-class planet. One of the major powers of the galaxy, the Klingons were a proud, tradition-bound people who valued honor and combat. The aggressive Klingon culture had made them an interstellar military power to be respected and feared. Klingons believed that they had the instinctive ability to look an opponent in the eye and see any intent to kill.
History and politics Edit
- Main article: Klingon history
The Klingon Empire was founded some time in the 9th century by Kahless the Unforgettable, who performed many heroic feats including the unification of the Klingon people when he killed the tyrant Molor. Kahless came to be revered in Klingon society to the point of near-deification, and many aspects of Klingon culture came to revolve around an emulation of Kahless' life. (TNG: "Rightful Heir")
The warrior ethos had been an important aspect of Klingon society since the time of Kahless, but the warrior aspects became much more dominant beginning in the early 22nd century. Previously, Klingon society was regarded as socially balanced, but over time the warrior caste gained greater prominence, to the point where the Klingons widely came to be regarded as a "warrior race." (ENT: "Broken Bow", "Judgment")
Because of their aggressive outlook, the Klingons generally had poor relations with other races after they began to move out into space. Because the worlds of the Klingon Empire were resource-poor, the Klingons developed an intense belief in the need for expansion and conquest in order to survive. The Klingons' relationship with Humans and the Federation was rocky at best. Following the disastrous first contact between Klingons and Humans, tense rivalries and unavoidable conflicts often developed between the two races. (TNG: "First Contact"),
In the year 2154, the Klingons gained access to the genetic material of Human Augments and tried to adapt this genetic engineering to improve themselves. The test subjects did gain increased strength and intelligence, but then their neural pathways started to degrade and they died in agony. One of the subjects suffered from the Levodian flu, which was modified by the Augment DNA to become a fatal, airborne, mutagenic plague that spread rampantly among the Empire, from world to world. In the first stage of this plague, Klingons lost the ridges on their foreheads and began to look more Human. With the help of a Klingon scientist named Antaak, Dr. Phlox of the Earth starship Enterprise was able to formulate a cure that halted the genetic effects of the virus in the first stage. This retained the changes in appearance along with some minor neural re-ordering. The neural ordering caused changes in the emotional make up of the Klingons. For example, the infected started to feel fear. Even though the infected did not develop any stage-two characteristics, such as enhanced strength, speed, or endurance they did not die from it. This left millions of Klingons changed. These alterations were even passed on to their children. (ENT: "Affliction", "Divergence") From the 2270s onward, Klingons encountered by the Federation had their forehead ridges restored. (Star Trek: The Motion Picture)
Klingons were apparently so embarrassed by the fallout from their failed attempt at genetic enhancement that they refused to discuss the incident with outsiders. Due to the secrecy of the Klingon Empire, knowledge of the change became lost over time to the general population of the Federation. By the 24th century, the reason for smooth forehead Klingons was not widely known outside the Empire, and questions were generally met with a brusque answer along the lines of "we don't discuss it with outsiders." (ENT: "Affliction", "Divergence"; DS9: "Trials and Tribble-ations")
By 2223, relations between the Federation and the Klingon Empire degenerated to a point of relentless hostility, which lasted for several decades. (Star Trek VI: The Undiscovered Country; TNG: "First Contact")
The lingering tensions between Klingons and Humans continued to rise, eventually leading to the Battle of Donatu V near Sherman's Planet in 2245, and later erupted into what was considered the Federation-Klingon War of 2267. This war was quickly ended by intervention by the Organians after only four days of fighting. (TOS: "The Trouble with Tribbles", "Errand of Mercy") Over the next several decades, an uneasy peace developed that was broken by brief but fierce skirmishes and conflicts (Star Trek III: The Search for Spock; Star Trek V: The Final Frontier). A true and lasting peace finally came in 2293 with the signing of the Khitomer Accords, thanks to the efforts of Chancellor Gorkon and the Human Starfleet officer James T. Kirk. (Star Trek VI: The Undiscovered Country) Since then, despite several periods of rocky relations (see Federation-Klingon War (2372-73)), the Federation and the Klingon Empire have been steadfast allies, especially in the face of Dominion aggression in the 2370s. (DS9: "By Inferno's Light")
The Klingon relationship with the Romulan people was also extremely unstable. A short-lived alliance and technology exchange notwithstanding, the Romulan Star Empire were typically regarded by the Klingons as a "blood enemy" since at least the 23rd century. Sporadic Romulan attacks against Klingon colonies (see Khitomer Massacre) and interference in Klingon affairs (see Klingon Civil War) continued to sour relationships between the two peoples. (TNG: "Sins of the Father", "Redemption II")
"Even half drunk, Klingons are among the best warriors in the galaxy."
Klingon society was extremely complex. Before its decline in the mid 22nd century and again in late 23rd century Klingon society was based on a feudal system organized around traditional Great Houses of noble lineage, to which various parts of the population owed fealty. The Great Houses are traditionally represented in the Klingon High Council, which is led by a Chancellor.
The decline of Klingon culture is demonstrated in the acts of the Klingons themselves. They stopped caring about their weapons to the point that they let them rust (ENT: "Marauders") and even stopped caring for true honor. (ENT: "Judgment") Sometime after the augment virus took hold of the Klingon Empire a new regime took control turning the Empire into a fascist state that kept tabs on all who served. (TOS: "Errand of Mercy") The old ways returned in the latter 23rd and early 24th centuries respectively.
Males traditionally dominated public life in the Empire, assuming the leading roles in politics and the military with only rare exceptions. (TNG: "Redemption") A notable exception to the prohibition of women serving on the High Council came when Azetbur became Chancellor of the High Council after her father, Gorkon, was assassinated in 2293. (Star Trek VI: The Undiscovered Country) Women, in turn, traditionally dominated the household and the management of the family's affairs. (DS9: "You Are Cordially Invited") Klingon women were treated as equals except in politics and matters of inheritance. They were prohibited by law from serving in the High Council and cannot take control of their Houses unless they have the money and no male successors of the lineage. Otherwise, Klingon women were expected to exhibit the same physical prowess and lust for blood and honor as the men.
Klingon society functioned through a system of family reputation and honor. Tradition was an integral part of their lives and breaking from observances was considered a grievous insult to society, an insult that is not forgotten easily. An offense usually brought shame to the offender's name for several generations. The highest shame was discommendation, an action by the High Council to officially strip a Klingon of his personal or family honor. Bloodlines and relations were also taken very seriously by any "true" Klingon. Lines comprise more than mere family members. (TNG: "New Ground")
An integral part of tradition was the various rituals that mark milestones in a Klingon's life or the history of the Empire. Most notable of the rites was the Rite of Succession, which a future leader of the Empire must complete with a valid Arbiter of Succession (Captain Jean-Luc Picard in the case of Gowron) overseeing the proceedings. Before the Rite can begin, there was another elaborate ceremony needed to confirm the death of the previous leader. This was known as the Sonchi ceremony. (TNG: "Reunion") Individual Klingon warriors were expected to go through the Rite of Ascension to be recognized as a full adult. (TNG: "The Icarus Factor") If the house that an individual Klingon belongs to is dissolved or falls into dishonor, he can be adopted into another house through the R'uustai or alternative ceremonies that symbolically mark the joining of kinship and allegiance. (TNG: "The Bonding"; DS9: "Sons of Mogh", "Soldiers of the Empire", "Sons and Daughters")
The most distinctive feature of Klingon anatomy (except in those individuals afflicted with the Augment virus) was a sagittal crest, beginning on the forehead and often continuing over the skull. The cranium was encased in an exoskeleton, which possesses a feature known as the tricipital lobe. (TNG: "Descent")
On average, Klingons were larger and physically stronger than Humans, though they possessed a much lower tolerance for cold weather. (VOY: "Displaced"; DS9: "Change of Heart") Spock said once that Klingons lack tear ducts; however, Klingon myth states that Kahless once filled the ocean with his tears, and at least one Klingon, Kurn, has produced tears. (Star Trek VI: The Undiscovered Country; TNG: "Birthright, Part II"; DS9: "Sons of Mogh")
Internally, Klingon anatomy was markedly different from that of Humans. There is a great deal more multiple redundancy in their organs, a principle they call brak'lul. This allowed Klingons to survive severe injuries in battle. They had twenty-three ribs, two livers, an eight chambered heart, three lungs, and even redundant neural function and multiple stomachs. Some geneticists believed that the extra organs, notably the third lung, evolved to give Klingons greater stamina on the battlefield. Surprisingly, Klingons had relatively little knowledge of their own biology and their medicine is very poorly developed. This was largely due to their warrior traditions – a Klingon who is wounded was expected to be left to survive through his own strength, die, or to undergo the hegh'bat, a form of ritual suicide. (TNG: "Ethics"; VOY: "Lineage")
It is interesting to note that, despite the anatomical and physiological differences between Klingons and Humans, the two species had very similar nutritional requirements. Dr. Pulaski once noted that, while most Humans find Klingon food unpalatable, usually, "what kills us, kills them." (TNG: "A Matter Of Honor") However, the "tea" used in the Klingon tea ceremony seems to be an exception. (TNG: "Up The Long Ladder") Apparently, the tea concentrates some (unknown) toxic heavy elements found in the soil in which its plant of origin grows, synthesizing a poison deadly to Humans, and capable of seriously sickening Klingons, as it does.
Klingon pregnancies normally ran thirty weeks, but with mixed species, gestation times were shorter. The odds against Klingon-Human conceptions were rather high; however, when successful, Klingon and Human metabolisms sometimes clashed, causing biochemical fluctuations in the mother, which may lead to fainting. Klingon traits remained dominant for several generations, even with a single ancestor; therefore, a child even ¼ Klingon still possessed forehead ridges if he or she carried the gene. (VOY: "Lineage")
Klingons had ridged spines, chests and feet. (TNG: "Ethics"; DS9: "Sons of Mogh"; ENT: "Broken Bow") After birth some Klingon infants experienced a pronounced curvature to the spine, which was correctable by surgery. This "defect" tended to run in Klingon families, especially among females. Federation medicine, fortunately, advanced beyond that, allowing an additional choice of treatment involving genetic modification. (VOY: "Lineage")
Klingon children matured far more quickly than Human children. At the age of only one Earth year, a Klingon child had the appearance a Human child had at about four. By the age of eight Earth years, a Klingon attained the maturity a Human did not reach until about age sixteen. (TNG: "Reunion"; DS9: "Sons and Daughters") When Klingon children began growing into adults, they went through jak'tahla, a Klingon form of puberty. (Star Trek: Insurrection) Like other mammalian species, Klingon females were capable of lactating to breast-feed infants. (TNG: "A Matter Of Honor")
As evidenced with Kurn (DS9: "Sons of Mogh"), Klingons had the instinctive ability to sense the decision to kill by looking into the eyes of their opponents. Worf did not have this ability, probably due to the fact that he was raised by Humans on Earth.
Religion and tradition Edit
- See also: Klingon wedding
Ritual was a very important element in Klingon society. While the Klingons were not a religious people as such, they did believe that deities existed at one time. However, Klingon warriors supposedly slew their gods as they were considered to be more trouble than they were worth. (DS9: "Homefront") Klingons did not believe in fate; however, they did appear to believe in some form of luck. (DS9: "Rules of Engagement", "Tears of the Prophets")
Once a Klingon died, the spirit was considered to have exited the body, leaving behind a worthless shell to be disposed of. (VOY: "Emanations") In the Klingon death ritual, it was traditional for those on hand to howl into the sky as a warning to the afterlife that a Klingon warrior was about to arrive. (TNG: "Heart of Glory"; DS9: "Tears of the Prophets") In some cases a funeral dirge was sung in memory of the deceased, or friends sat with the body to protect it from predators, a practice known as ak'voh. (DS9: "The Ship")
Furthermore, a Klingon who was unable to fight, and hence is unable to live as a warrior anymore, had the traditional obligation of committing the hegh'bat, which was the Klingon ritual suicide. Tradition dictated that the eldest son or a close personal friend must assist. That person's role was to hand the dying Klingon a knife so that he can plunge it into his heart, remove it, and then wipe the blood on his own sleeve. (TNG: "Ethics")
The Klingon afterlife was supposedly divided into two branches. The dishonored were taken to Gre'thor aboard the Barge of the Dead, a vessel captained by Kortar, the first Klingon. Kortar was supposedly the one who had originally killed the gods who created him and was condemned to ferry the dishonored to Gre'thor as a punishment. Once in Gre'thor, the dishonored were watched over by Fek'lhr, a vaguely Klingon-esque figure. While it may be tempting to view Fek'lhr as the Klingon equivalent of the Human devil, according to Kang, the Klingons have no devil. (TNG: "Devil's Due"; VOY: "Barge of the Dead"; TOS: "Day of the Dove")
Those who die honorably supposedly went to Sto-vo-kor, where Kahless was said to await them. However, should a noble warrior die in a manner that might not merit a place in Sto-vo-kor, such as being assassinated in a surprise attack, he may still earn a place if others dedicate a great battle to his name, thus showing that he has earned respect among the living. (TNG: "Heart of Glory", "Rightful Heir"; VOY: "Barge of the Dead"; DS9: "Shadows and Symbols")
Klingon rituals included the R'uustai, a bonding ceremony which joined two people together in a relationship similar to brotherhood. (TNG: "The Bonding") Klingon tradition holds that "the son of a Klingon is a man the day he can first hold a blade." (TNG: "New Ground")
If a Klingon warrior struck another Klingon with the back of his hand, it was interpreted as a challenge to the death. Klingon warriors spoke proudly to each other; they did not whisper or keep their distance. Standing far away or whispering were considered insults in Klingon society. (DS9: "Apocalypse Rising")
When going into battle, Klingon warriors often sang the traditional warriors' anthem, which was essentially an invocation to Kahless and a pledge to win a good death in battle. (DS9: "Soldiers of the Empire")
When choosing a mate, it is traditional for a female Klingon to bite the male's face, allowing her to taste his blood and get his scent. (VOY: "Blood Fever") Klingon daughters traditionally are given a piece of jewelry called a jinaq when they become old enough to select a mate. (TNG: "Birthright, Part II")
Science and technology Edit
Klingon space Edit
Food and beverages Edit
- Bregit lung
- Grapok sauce
- Heart of targ
- Klingon martini
- O'mat Gri T'M pffiots
- Pipius claw
- Rokeg blood pie
- "Hide and Q" (Season One)
- "Heart of Glory"
- "A Matter Of Honor" (Season Two)
- "The Icarus Factor" (holograms only)
- "The Emissary"
- "Shades of Gray" (archive footage only)
- "The Offspring" (hologram only) (Season Three)
- "Sins of the Father"
- "Reunion" (Season Four)
- "Future Imperfect" (illusion only)
- "The Drumhead"
- "The Mind's Eye"
- "Redemption II" (Season Five)
- "Unification I"
- "Unification II"
- "New Ground"
- "Cost of Living"
- "Imaginary Friend"
- "Rascals" (Season Six)
- "A Fistful of Datas"
- "Birthright, Part I"
- "Birthright, Part II"
- "The Chase"
- "Rightful Heir"
- "Gambit, Part II" (Season Seven)
- "Preemptive Strike"
- "Past Prologue" (Season One)
- "Dramatis Personae"
- "Invasive Procedures" (Season Two)
- "Playing God"
- "Blood Oath"
- "The Maquis, Part II"
- "The House of Quark" (Season Three)
- "Through the Looking Glass"
- "The Way of the Warrior" (Season Four)
- "The Sword of Kahless"
- "Return to Grace"
- "Sons of Mogh"
- "Rules of Engagement"
- "Shattered Mirror"
- "Broken Link"
- "Apocalypse Rising" (Season Five)
- "Looking for par'Mach in All the Wrong Places"
- "Nor the Battle to the Strong"
- "Trials and Tribble-ations"
- "In Purgatory's Shadow"
- "By Inferno's Light"
- "Soldiers of the Empire"
- "Children of Time"
- "Blaze of Glory"
- "Call to Arms"
- "A Time to Stand" (Season Six)
- "Sons and Daughters"
- "Favor the Bold"
- "Sacrifice of Angels"
- "You Are Cordially Invited"
- "In the Pale Moonlight"
- "His Way"
- "The Reckoning"
- "Tears of the Prophets"
- "Image in the Sand" (Season Seven)
- "Shadows and Symbols"
- "Treachery, Faith and the Great River"
- "Once More Unto the Breach"
- "The Emperor's New Cloak"
- "Strange Bedfellows"
- "The Changing Face of Evil"
- "When It Rains..."
- "Tacking Into the Wind"
- "The Dogs of War"
- "What You Leave Behind"
- "Flashback" (Season Three)
- "Real Life" (hologram only)
- "Day of Honor" (hologram only) (Season Four)
- "The Killing Game" (hologram only)
- "The Killing Game, Part II" (hologram only)
- "Infinite Regress" (Klingon Borg)
- "Someone to Watch Over Me" (photo only)
- "Barge of the Dead" (dream only) (Season Six)
- "Unimatrix Zero" (Klingon Borg)
- "Unimatrix Zero, Part II" (Klingon Borg) (Season Seven)
- "Flesh and Blood" (hologram only)
Background information Edit
|Warning! This section may contain spoilers for new Star Trek material.|
Klingons were introduced in Star Trek: The Original Series, making their first appearance in the episode "Errand of Mercy". The species was named for Lieutenant Wilbur Clingan, a friend of Star Trek Producer Gene Roddenberry who served with him in the Los Angeles Police Department. (Star Trek Creator: The Authorized Biography of Gene Roddenberry) The Klingons originally appeared as fairly ordinary Humans with heavy makeup and mustaches, although their appearance changed within the original Star Trek series; dark makeup and heavy eyebrows were the norm, but the Klingons of "The Trouble with Tribbles" were much lighter-skinned and Human-like in appearance.
During development of the unrealized TV series Star Trek: Phase II, John Meredyth Lucas wrote a two-part episode entitled "Kitumba", which if filmed would have established a radically different Klingon culture to the one developed in subsequent series and films.
Beginning with Star Trek: The Motion Picture, improved makeup techniques and bigger budgets led to them having elaborate forehead designs. The inspiration for the post-TOS Klingon make-up came from Planet Earth, a 1974 Gene Roddenberry pilot which starred Diana Muldaur and Ted Cassidy. (citation needed • edit) That pilot featured a Klingon-inspired, warlike race of mutant Humans called the Kreeg who had ridges down the center of their foreheads. An early instance of documentation concerning the Klingons' revised appearance was in notes that Costume Designer Robert Fletcher wrote, regarding the various aliens in The Motion Picture. The note about the Klingons contains the statement, "Spine comes up over head and down forehead (different from series). Hair on side of head as though trying to cover spine." (The Making of Star Trek: The Motion Picture, p. 133)
Make-Up Supervisor Michael Westmore made alterations to the Klingon look for Michael Dorn's character, Worf, on Star Trek: The Next Generation. Westmore previously noted that all other Klingons in The Original Series looked slightly different. (TNG Season 1 DVD special feature "The Making of a Legend", part "Make-Up") "I suggested bringing their makeup down into their face by using noses and teeth, rather than having just a forehead," explained Westmore, regarding how he differentiated the Klingons of TNG from those seen in the TOS-era films. (Star Trek: The Magazine Volume 2, Issue 12, p. 25) A unique set of teeth was cast for each speaking actor who was to play a Klingon on TNG. Similarly, an early policy was devised by Michael Westmore whereby each Klingon forehead was cast with a different ridge pattern. However, Westmore soon came to regret this policy. (Star Trek: The Next Generation Companion 3rd ed., p. 21)
During early development of Star Trek VI: The Undiscovered Country, the Klingons were intended to be established as having evolved from a reptilian state. The film, as initially conceived, would also have introduced Klingon tribes, even more primitive and violent than the usual Klingons. These aspects of the plot were discarded because they were thought to be overly expensive. As for the possible ancestry of the Klingons, Gregory Jein – who served as props master on Star Trek V: The Final Frontier as well as on Star Trek VI – theorized that they developed from an underwater species. "My philosophy is that the Klingons came out of the sea originally," he mused, "and the sea was their basic cultural heritage." Jein took inspiration from this belief when crafting many of the Klingon props from the two films he worked on. (The Making of the Trek Films, 3rd ed., pp. 104 & 129)
The Klingons in Star Trek VI were given lavender blood specifically for ratings and plot purposes; Klingon blood on television was red. Also, even individual Klingon makeup elements (Worf's head, for example) changed from episode to episode. Besides Michael Dorn and Roxann Dawson, the other Star Trek cast members who wore the full Klingon makeup include Avery Brooks, Colm Meaney, LeVar Burton, Rene Auberjonois, Tim Russ, Kate Mulgrew, Ethan Phillips, and Scott Bakula.
A story Robert O'Reilly tells in an interview in the DS9 Season 7 DVD is that a long running joke among actors who have played Klingons is that they do not want to appear in the films as, he believes, the only purpose of a Klingon in one of the films was to be killed off. He was proven right in Generations.
After DS9: "Trials and Tribble-ations" made the change in the Klingons' facial appearance part of Star Trek canon, some consideration was given, at about the start of Star Trek: Enterprise, as to whether the producers would try to explain the reasoning for there being two different-looking types of Klingon. Shortly before the series began, an uncertain Rick Berman revealed, "We've thought about it [....] I think it is something we have discussed possibly doing." (Star Trek: Communicator issue 134, p. 77) The later Enterprise episodes "Affliction" and "Divergence" explained the differences.
A new look for the Klingons – featuring masked helmets with ridges on the forehead – was created for the Klingon-centric deleted scene from the film Star Trek. Despite the movie's script describing these masks, the script also refers to the Klingons as having "hideous faces" barely visible underneath.  Costume designer Michael Kaplan said "The helmets address a lot of the features the Klingons have without having to show them. You kind of know they're Klingons because they have those foreheads... even when they're wearing their helmets you can tell."
Before it was even confirmed that his production company Bad Robot would be involved in a sequel to the Star Trek film, Director J.J. Abrams was highly interested in including Klingons in such a movie. (deleted scene "Prison Interrogation and Breakout" audio commentary, Star Trek (Special Edition & Three disc Blu-ray)) Once his connection to the film was announced, Abrams conceded that "it would be hard not to" introduce them in the alternate reality. (SFX, issue #200, p. 60) Screenwriter Roberto Orci also felt the pressure to incorporate the species in the sequel. "Some fans really want to see Klingons, and it's hard not to listen to that," he admitted. "The trick is not to do something that's been seen before just because you think it will be a short cut to likeability." (SFX, issue #200, p. 61)
Furthermore, makeup designer Barney Burman wanted to give the Klingons a new facial design for the movie's sequel. "I would like to do the same kind of treatment on them that was done with the Romulans," he said, "and bring them into the new millennium." (SFX, issue #200, p. 60) Head creature designer Neville Page was also eager for the Klingons to return. In October 2010, he named them as "the one" species he would most like to tackle in the sequel. He proceed to explain, "My approach would be to try and come up with something that's a unique look but is still a Klingon obviously. Because I think if I did them really tall like say 9' and instead of brown made them blue, I might get into a little trouble! But I would try think about them as real deal people -- and I know other designers have -- but really give them a history and a motivation. Understand why they're dressed the way they are. Understand their rationale for long hair and facial hair. Make sense of those physical features which they typically have, which are the ridged foreheads." Page added that, not being entirely sure how he would tackle the species, he had started contemplating ways to distinguish Klingon races; "There are different physiological ticks even in the Klingon world. Maybe they are all brown, but the ridges are the African ones, the fewer ridges are the Asian ones. I don't know."  Recognizing the Klingons' popularity, Page stated "As much as we wanna bring something fresh to the table, we also want to make sure that it is respectful to the culture. I studied [the] Klingon [language] quite a bit, and spoke to a lot of people, the Klingon people at Comic-Con, people who role-play that world. There was this one treatment, a piercing element that the Klingons have, and few would recognise it, but those who are serious fans will catch it."
The actors playing Klingons in Star Trek Into Darkness were cast if they looked intimidating. Props master Andy Seigel remembered, "We thought, ‘Okay, these guys should be badass.’ We cast all real imposing guys and they are scary.”  Page said "One thing I tried to do with the Klingons, which was a tough one, is make them sexy: a beautiful-ugly group of men. I think we got it. Not that the previous actors were ugly, but it was a very conscious choice of who we cast, a very conscious sculpting of the Klingon form to make them look sexy. In a way."
Both the helmeted Klingons and a new facial prosthetic design for the species appear on-screen in Star Trek Into Darkness, the latter of which was thought up by Neville Page. While trying to determine the best way to design these Klingons, the team responsible for them encountered some difficulties. The group specifically realized that, by using massive blocks of foam rubber on the faces of the performers, they would end up making all the actors look exactly the same, whereas the creative team intended for each individual member of the species to be different-looking. To fix this predicament, the makeup team endeavored to leave the faces more exposed and used multiple prosthetic pieces, allowing for more expressive facial movements.  According to make-up department head David Anderson, Neville Page and J.J. Abrams "got pretty far out there" with their Klingon facial concept designs before "it started to come back." Stated Anderson, "Everyone was trying to pay homage to the fans' idea of the real race while wanting to innovate something new...." (Empire, Issue 287, p. 87) Indeed, Anderson discovered that he didn't want to overly alter what had become an iconic look. “It’s a real balancing act," he noted. "You don’t want to stray too far, but you also don’t want to go back and cookie-cut the exact same thing. There have been a lot of advances and we have the opportunity to do a new, fresh pass without losing anything." 
The only time the Klingon symbol is seen in the original series is in TOS: "Elaan of Troyius", and the high spire is actually facing right, not straight up as the subsequent versions are. Also, on the original Klingon ship model (the camera angles never showed it on the series), it was facing to the right there as well. It was probably meant to be that way originally, but series executives and concept designers likely found it looked better pointing straight up.
The infamous Klingon saying, "Today is a good day to die," actually originated from the Lakotan warrior Crazy Horse, while the proverb, "Revenge is a dish best served cold," paraphrased by Khan in Star Trek II, is actually a saying of the Pashtun people of South Asia.
In the novel Summon the Thunder, part of the Star Trek: Vanguard series, the Klingons who had a Human appearance (descendants of the victims of the Klingon Augment virus) are referred to as "QuchHa", or "the unhappy ones". They usually served in their own units although they also were known to mix with the rest of the fleet on occasion.
"Against Their Nature", the first installment of "Star Trek: Klingons - Blood Will Tell", an IDW Comics series which tells the stories of "Errand of Mercy", "The Trouble with Tribbles", "A Private Little War", and "Day of the Dove" from the Klingon point of view, suggests that, while Phlox and Antaak's cure removed Augment strength and Augment intelligence, those affected retained the superior ambition of Augments, and as such these Klingons were largely responsible for the Empire's expansion in the century between Enterprise and TOS, eventually becoming powerful enough to achieve a majority on the High Council.
In the novel Pawns and Symbols, Klingons are discovered to be color-blind in the Human sense, unable to distinguish red from black. It is also discovered that their vision extends into the ultraviolet, to 32,000 Ångströms.
In the novel Ishmael, the Klingons are described as having been economically conquered and uplifted by the Karsid empire. The Klingons then rebelled and overthrew the Karsids, obtaining their high technology. This was given as one reason for why the Klingons were the way they were, and also how they could have developed star-faring technology given their current social structure.
In Star Trek Online, the Klingons are once again enemies with the Federation by 2399, having taken advantage of the Romulans by conquering much of their territory in the wake of the death of Shinzon and then the destruction of Romulus. The Klingons have also conquered the Gorn, the Orions, and the Nausicaans. Evidently, Klingons are seen joining Starfleet, if unlocked.
Popular culture Edit
On January 10, 2007, Congressman David Wu made a speech on the House of Representatives floor referring to George Bush's staff as Klingons with regard to the Iraq War. Wu, an admitted fan of Star Trek, said he was making a reference to the title of James Mann's recent book Rise of the Vulcans: The History of Bush's War Cabinet (ISBN 0670032999). In the book, Mann writes that "Vulcans" is a nickname that President Bush's foreign policy advisory team in the 2000 campaign gave itself, originating from the large statue of the Roman god Vulcan in Bush adviser Condoleezza Rice's hometown of Birmingham, Alabama.
Wu said that unlike "the Vulcans of Star Trek", who "make decisions based on logic and fact", Rice and her cadre behave more like the warlike Klingons, saying, "there are Klingons in the White House". Wu continued that unlike "real Klingons", who are also known as fierce warriors, those in the White House "have never fought a battle of their own". He concluded "don't let faux Klingons send real Americans to war."
On January 16, 2007, comedian Jon Stewart dedicated a short segment of The Daily Show with Jon Stewart to talk about this speech. He was joined in this discussion by Leonard Nimoy and George Takei (Spock and Hikaru Sulu, respectively). In the discussion Nimoy stated that the analogy was weak, citing that while Klingons are warlike, they adhere to a strict code of honor.