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| Name = Jim Veilleux
 
| Name = Jim Veilleux
 
| image = Jim Veilleux.jpg
 
| image = Jim Veilleux.jpg
| Birth name = James Veilleux
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| Birth name = James W. Veilleux
 
| Gender = Male
 
| Gender = Male
| Date of birth =
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| Date of birth = {{d|29|June|1944}}
| Place of birth = Providence, Rhode Island
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| Place of birth = Providence, Rhode Island, USA
 
| Date of death = {{d|24|November|2013}}
 
| Date of death = {{d|24|November|2013}}
| Place of death = San Anselmo, California
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| Place of death = San Anselmo, California, USA
 
| Awards for Trek =
 
| Awards for Trek =
| Roles = [[:Category:Special and Visual effects staff|Visual Effects Supervisor]], [[:Category:Star Trek authors|''Star Trek'' author]]
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| Roles = [[:Category:Special and Visual effects staff|Visual Effects Supervisor]], [[:Category:Star Trek reference authors|''Star Trek'' author]]
 
| image2 = Jim Veilleux with Regula I model.jpg
 
| image2 = Jim Veilleux with Regula I model.jpg
 
| imagecap2 = Veilleux with [[Regula I]] [[studio model]]
 
| imagecap2 = Veilleux with [[Regula I]] [[studio model]]
 
}}
 
}}
'''James "Jim" Veilleux''' ([[Star Trek deaths|died]] {{d|24|November|2013}}) was the [[:Category: Visual effects companies|visual effects]] co-supervisor (Camera Supervisor) on {{film|2}} with [[Ken Ralston]], while in the employ of [[Industrial Light & Magic]] (ILM). Veilleux expressed a keen interest in computer graphics, and the responsibility of supervising the work done in that department was reverted to him, which included overseeing the work done at the [[Pixar|Graphics Group]] for the [[Project Genesis|Genesis Demo]]. ({{STTM|3|5}}, p. 19)
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'''James "Jim" W. Veilleux''' {{born|29|June|1944|died|24|November|2013}} was the [[:Category: Visual effects companies|visual effects]] co-supervisor (Camera Supervisor) on {{film|2}} together with [[Ken Ralston]], while in the employ of [[Industrial Light & Magic]] (ILM). Veilleux expressed a keen interest in computer graphics, and the responsibility of supervising the work done in that department was reverted to him, which included overseeing the work done at the [[Pixar|Graphics Group]] for the [[Project Genesis|Genesis Demo]]. ({{STTM|3|5}}, p. 19) Although ''The Wrath of Khan'' was his only ''Star Trek'' contribution, causing him to be all but forgotten as far as ''Star Trek'' was concerned, it was Veilleux, together with Ralston, who were the ones mainly responsible for conceiving and executing the visual look of the original crew [[Star Trek films|''Star Trek'' films]] as envisioned by director [[Nicholas Meyer]].
   
Veilleux has (co-)authored two articles on his work for the movie that has appeared in the October 1982 issue of ''[[American Cinematographer]]'', and an article on the same subject that was published in ''[[Starlog photo guidebook Special Effects]]'', Vol. 4.
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Veilleux has (co-)authored two articles on his work for the movie, one that has appeared in the October 1982 issue of ''[[American Cinematographer]]'', and an article on the same subject that was published in ''[[Starlog photo guidebook Special Effects]]'', Vol. 4.
   
 
==Career outside ''Star Trek''==
 
==Career outside ''Star Trek''==
Hailing from Providence, Rhode Island, but raised in East Bridgewater, Maryland, Jim Veilleux obtained a BS in Nuclear Physics from Massachusetts Institute of Technology. Nevertheless, Veilleux had developed in his youth a passion for photography and deviated from the scientific path by obtaining a Master's degree in Cinematography from the University of Southern California. After serving as 2nd lieutenant in the US Army in Vietnam, he pursued a career in the motion picture industry, which eventually resulted in his twelve years long stint at ILM.
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Hailing from Providence, Rhode Island, but raised in East Bridgewater, Massachusetts, Jim Veilleux obtained a BS in Nuclear Physics from Massachusetts Institute of Technology. Nevertheless, Veilleux had developed in his youth a passion for photography and deviated from the scientific path by obtaining a Master's degree in Cinematography from the University of Southern California. After serving as 2nd lieutenant in the US Army during the later stages of the Vietnam War, he pursued a career in the motion picture industry, which eventually resulted in his stint at ILM.
   
 
While not an ILM employee when that company was founded, Villieux joined shortly after that company's first production, ''[[Star Wars]]'', and has contributed, mostly as effects cameraman, to some of the earliest productions of the company, ''Star Wars: Episode V - The Empire Strikes Back'' (1980), ''Indiana Jones and the Raiders of the Lost Ark'' (1981), ''Dragonslayer'' (1981) and ''Poltergeist'' (1982), being his last involvement with ILM. Prior to ILM, Villieux worked as miniatures cameraman on the television series ''Jason of Star Command'', also working in those years for the Encyclopaedia Britannica Educational Corporation as an effects camera man, making educational films. One of these was ''Solar System'' (1977), on which he cooperated with writer/director [[Thomas G. Smith]] [http://www.worldcat.org/title/solar-system/oclc/9059231], and which, catching the eye of ILM's founder, George Lucas, brought both Veilleux and Smith to his attention. [http://www.afana.org/smitht.htm]
 
While not an ILM employee when that company was founded, Villieux joined shortly after that company's first production, ''[[Star Wars]]'', and has contributed, mostly as effects cameraman, to some of the earliest productions of the company, ''Star Wars: Episode V - The Empire Strikes Back'' (1980), ''Indiana Jones and the Raiders of the Lost Ark'' (1981), ''Dragonslayer'' (1981) and ''Poltergeist'' (1982), being his last involvement with ILM. Prior to ILM, Villieux worked as miniatures cameraman on the television series ''Jason of Star Command'', also working in those years for the Encyclopaedia Britannica Educational Corporation as an effects camera man, making educational films. One of these was ''Solar System'' (1977), on which he cooperated with writer/director [[Thomas G. Smith]] [http://www.worldcat.org/title/solar-system/oclc/9059231], and which, catching the eye of ILM's founder, George Lucas, brought both Veilleux and Smith to his attention. [http://www.afana.org/smitht.htm]
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* [http://www.legacy.com/obituaries/marinij/obituary.aspx?page=lifestory&pid=168218574 Jim Veilleux orbituary] at [http://rememberingca.us/obituaries/rememberingca/ rememberingca.us]
 
* [http://www.legacy.com/obituaries/marinij/obituary.aspx?page=lifestory&pid=168218574 Jim Veilleux orbituary] at [http://rememberingca.us/obituaries/rememberingca/ rememberingca.us]
   
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{{DEFAULTSORT:Veilleux, Jim}}
 
[[es:Jim Veilleux]]
 
[[es:Jim Veilleux]]
[[Category:ILM production staff|Veilleux, Jim]]
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[[Category:ILM production staff]]
[[Category:Special and Visual effects staff|Veilleux, Jim]]
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[[Category:Special and Visual effects staff]]
[[Category:Star Trek reference authors|Veilleux, Jim]]
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[[Category:Star Trek reference authors]]

Revision as of 16:33, 3 April 2014

Template:Realworld

James "Jim" W. Veilleux (29 June 194424 November 2013; age 69) was the visual effects co-supervisor (Camera Supervisor) on Star Trek II: The Wrath of Khan together with Ken Ralston, while in the employ of Industrial Light & Magic (ILM). Veilleux expressed a keen interest in computer graphics, and the responsibility of supervising the work done in that department was reverted to him, which included overseeing the work done at the Graphics Group for the Genesis Demo. (Star Trek: The Magazine Volume 3, Issue 5, p. 19) Although The Wrath of Khan was his only Star Trek contribution, causing him to be all but forgotten as far as Star Trek was concerned, it was Veilleux, together with Ralston, who were the ones mainly responsible for conceiving and executing the visual look of the original crew Star Trek films as envisioned by director Nicholas Meyer.

Veilleux has (co-)authored two articles on his work for the movie, one that has appeared in the October 1982 issue of American Cinematographer, and an article on the same subject that was published in Starlog photo guidebook Special Effects, Vol. 4.

Career outside Star Trek

Hailing from Providence, Rhode Island, but raised in East Bridgewater, Massachusetts, Jim Veilleux obtained a BS in Nuclear Physics from Massachusetts Institute of Technology. Nevertheless, Veilleux had developed in his youth a passion for photography and deviated from the scientific path by obtaining a Master's degree in Cinematography from the University of Southern California. After serving as 2nd lieutenant in the US Army during the later stages of the Vietnam War, he pursued a career in the motion picture industry, which eventually resulted in his stint at ILM.

While not an ILM employee when that company was founded, Villieux joined shortly after that company's first production, Star Wars, and has contributed, mostly as effects cameraman, to some of the earliest productions of the company, Star Wars: Episode V - The Empire Strikes Back (1980), Indiana Jones and the Raiders of the Lost Ark (1981), Dragonslayer (1981) and Poltergeist (1982), being his last involvement with ILM. Prior to ILM, Villieux worked as miniatures cameraman on the television series Jason of Star Command, also working in those years for the Encyclopaedia Britannica Educational Corporation as an effects camera man, making educational films. One of these was Solar System (1977), on which he cooperated with writer/director Thomas G. Smith [1], and which, catching the eye of ILM's founder, George Lucas, brought both Veilleux and Smith to his attention. [2]

Veilleux has only one other recorded motion picture credit to his name after his ILM years, From Time to Time (1992). He since then has left the motion picture industry to work as an independent programmer and web developer, until his passing away in 2013.

Bibliography

External links