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Memory Alpha
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[[File:Dennis McCarthy.jpg|thumb|Dennis McCarthy]]
 
[[File:Dennis McCarthy.jpg|thumb|Dennis McCarthy]]
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[[File:Jay Chattaway and Dennis McCarthy.jpg|thumb|McCarthy and [[Jay Chattaway]]]]
 
:''For the costumer with the same name, see [[Dennis McCarthy (costumer)|Dennis McCarthy]].''
 
:''For the costumer with the same name, see [[Dennis McCarthy (costumer)|Dennis McCarthy]].''
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:''For the {{USS|Voyager}} [[USS Voyager personnel|crewman]], see [[Dennis McCarthy (Crewman)]].''
'''Dennis McCarthy''' ([[Star Trek birthdays|born]] {{y|1945}}) is a composer who has written many ''[[Star Trek]]''-related musical scores, including the ''[[Star Trek: Deep Space Nine]]'' main title theme, and the ''[[Star Trek: Enterprise]]'' end credits theme. He also composed the music in {{film|7}}. He has also been the composer of many episodes of ''Star Trek: The Next Generation'', ''Star Trek: Deep Space Nine'', ''[[Star Trek: Voyager]]'' and ''Star Trek: Enterprise''. He scored the pilots and finales of ''Star Trek: The Next Generation'', ''Star Trek: Deep Space Nine'' and ''Star Trek: Enterprise''.
 
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:''For the [[Starfleet]] [[captain]], see [[Dennis McCarthy (Captain)]]''
 
'''Dennis McCarthy''' ([[Star Trek birthdays|born]] {{y|1945}}) is a composer who has written many ''[[Star Trek]]''-related musical scores, including the ''[[Star Trek: Deep Space Nine]]'' main title theme and the ''[[Star Trek: Enterprise]]'' end credits theme. He also composed the music for {{film|7}} and many episodes of ''Star Trek: The Next Generation'', ''Star Trek: Deep Space Nine'', ''[[Star Trek: Voyager]]'' and ''Star Trek: Enterprise''. He scored the pilots and finales of ''Star Trek: The Next Generation'', ''Star Trek: Deep Space Nine'' and ''Star Trek: Enterprise''. McCarthy also wrote and conducted the music for the ''[[Star Trek: The Experience]]'' movie ''[[Star Trek: The Experience#Borg Invasion 4D|Borg Invasion 4D]]'' and the computer game ''[[Star Trek: Borg]]''. Some of McCarthy's TNG and DS9 scores were released as part of the ''[[Star Trek: The Next Generation Collection, Volume One]]'' and the ''[[Star Trek: Deep Space Nine Collection]]''.
   
He was nominated for nine [[Emmy Award]]s for his work, winning in the "Outstanding Individual Achievement in Main Title Theme Music" category for his ''Deep Space Nine'' title theme. He also won (or shared) nine [[ASCAP Award]]s, all for "Top TV Series" except for his award for {{film|7}}, which won in the "Top Box Office Films" category.
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McCarthy was nominated for nine [[Emmy Award]]s for his work, winning in the "Outstanding Individual Achievement in Main Title Theme Music" category for his ''Deep Space Nine'' title theme. He also won (or shared) nine [[ASCAP Award]]s, all for "Top TV Series" except for his award for {{film|7}}, which won in the "Top Box Office Films" category.
   
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McCarthy was once a member of {{w|Dick Dale}}'s backing band, which came up while he was scoring the episode {{e|Vis à Vis}} which featured two Dick Dale tunes, "[http://www.youtube.com/watch?v=Ik9XGqm4mY0 Night Rider]" and "{{w|Let's Go Trippin'}}". [[Ronald B. Moore]] suggested the first song and remembered, "''I was told that [McCarthy] heard the music and said, 'I used to be a Deltone.' This is a small world. He suggested that they close the show with another Dick Dale song. They got to [do that].''" (''[[Cinefantastique]]'', Vol. 30, No. 9/10, p. 103)
McCarthy also wrote and conducted the music for the ''[[Star Trek: The Experience]]'' movie ''[[Star Trek: The Experience#Borg Invasion 4D|Borg Invasion 4D]]'' and the computer game ''[[Star Trek: Borg]]''.
 
   
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McCarthy started his career as music arranger and moved shortly after this to the position of music composer. His first assignment was the television spinoff series ''Enos'' (1980-1981), followed by the series ''Private Benjamin'' (1982), ''Gun Shy'' (1983), ''Goodnight, Beantown'' (1983-1984), and ''The Barbara Mandrell Show''. In early 1984, McCarthy was asked to redo the score for the second and the third part of the television mini series ''V: The Final Battle'', just two weeks before the airdate. His successful scoring for ''V: The Final Battle'' including the "Visitor March" lent him to the assignment scoring the following television series ''V'' (1984-1985) as well as projects such as ''Trapper John, M.D.'' (1986), ''The Love Boat'' (1986), ''Mike Hammer'' (1986), ''The Colbys'' (1985-1987), ''The Twilight Zone'' (1986-1987), ''Dynasty'' (1985-1989), ''Falcon Crest'' (1989), and ''MacGyver'' (1985-1991).
== Credits ==
 
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== Media ==
 
* {{audio|file=DS9_maintitle_1-3v2.ogg|text=DS9 Main Title Theme (seasons 1-3)}}
 
* {{audio|file=DS9_maintitle_4-7v2.ogg|text=DS9 Main Title Theme (seasons 4-7)}}
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== ''Star Trek'' credits ==
 
<div class="appear">
 
<div class="appear">
 
* {{TNG}}
 
* {{TNG}}
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** {{e|All Good Things...}}
 
** {{e|All Good Things...}}
 
* {{DS9}}
 
* {{DS9}}
** {{audio|file=DS9_maintitle_1-3v2.ogg|text=Main Title Theme (seasons 1-3)}}
 
** {{audio|file=DS9_maintitle_4-7v2.ogg|text=Main Title Theme (seasons 4-7)}}
 
 
** {{e|Emissary}} ([[DS9 Season 1|Season 1]])
 
** {{e|Emissary}} ([[DS9 Season 1|Season 1]])
 
** {{e|Babel}}
 
** {{e|Babel}}
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</div>
 
</div>
   
== Emmy Award nominations for ''Star Trek'' ==
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== Awards for ''Star Trek'' ==
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McCarthy received the following [[Star Trek's awards and honors|awards and nominations]] for his work on ''[[Star Trek]]'':
=== Outstanding Music Composition for a Series ===
 
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* {{y|1989}} [[Emmy Award]] nomination in the category Outstanding Achievement in Music Composition for a Series (Dramatic Underscore) for the episode {{e|The Child}}
* ''Star Trek: The Next Generation'':
 
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* {{y|1990}} Emmy Award nomination in the category Outstanding Achievement in Music Composition for a Series (Dramatic Underscore) for the episode {{e|Yesterday's Enterprise}}
** "The Child"
 
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* {{y|1991}} Emmy Award nomination in the category Outstanding Achievement in Music Composition for a Series (Dramatic Underscore) for the episode {{e|Half a Life}}
** "Yesterday's Enterprise"
 
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* {{y|1992}} Emmy Award nomination in the category Outstanding Individual Achievement in Music Composition for a Series (Dramatic Underscore) for the episode {{e|Unification I}}
** "Half a Life"
 
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* {{y|1993}} Emmy Award in the category Outstanding Individual Achievement in Main Title Theme Music for ''Star Trek: Deep Space Nine''
** "Unification I"
 
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* {{y|1994}} Emmy Award nomination in the category Outstanding Individual Achievement in Music Composition for a Series (Dramatic Underscore) for the episode {{e|All Good Things...}}
** "All Good Things..."
 
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* {{y|1995}} Emmy Award nomination in the category Outstanding Individual Achievement in Music Composition for a Series (Dramatic Underscore) for the episode {{e|Heroes and Demons}}
* ''Star Trek: Voyager'':
 
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* 1995 [[ASCAP Award]] in the category Top TV Series for ''Star Trek: The Next Generation''
** "Heroes & Demons"
 
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* 1995 ASCAP Award in the category Top Box Office Films for {{film|7}}
** "Workforce, Part I"
 
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* {{y|1996}} ASCAP Award in the category Top TV Series for ''Star Trek: Deep Space Nine''
* ''Star Trek: Enterprise'':
 
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* {{y|1997}} ASCAP Award in the category Top TV Series for ''Star Trek: Deep Space Nine''
** "The Expanse"
 
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* {{y|1998}} ASCAP Award in the category Top TV Series for ''Star Trek: Deep Space Nine'', shared with [[Jay Chattaway]]
 
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* {{y|1999}} ASCAP Award in the category Top TV Series for ''Star Trek: Voyager''
=== Outstanding Main Title Theme Music ===
 
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* {{y|2000}} ASCAP Award in the category Top TV Series for ''Star Trek: Voyager''
* ''Star Trek: Deep Space Nine'' (won)
 
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* {{y|2001}} Emmy Award nomination in the category Outstanding Music Composition for a Series (Dramatic Underscore) for the episode {{e|Workforce}}
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* 2001 ASCAP Award in the category Top TV Series for ''Star Trek: Voyager'', shared with Jay Chattaway and [[David Bell]]
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* {{y|2002}} ASCAP Award in the category Top TV Series for ''Star Trek: Enterprise'', shared with Jay Chattaway, David Bell, [[Paul Baillargeon]], and [[Diane Warren]]
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* {{y|2003}} Emmy Award nomination in the category Outstanding Music Composition for a Series (Dramatic Underscore) for the episode {{e|The Expanse}}
   
 
== ''Star Trek'' interviews ==
 
== ''Star Trek'' interviews ==
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* "Dennis McCarthy - Music of the Stars", ''[[The Official Star Trek: The Next Generation Magazine]]'' Vol. 14, pp. 5-10, interviewed by [[David Hirsch]]
 
* [[TNG Season 2 DVD]] special feature "Departmental Briefing Year Two: Production" ("Music"), interviewed on {{d|5|October|2001}}
 
* [[TNG Season 2 DVD]] special feature "Departmental Briefing Year Two: Production" ("Music"), interviewed on {{d|5|October|2001}}
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* [[TNG Season 7 DVD]] special feature "Starfleet Moments & Memories Year Seven" ("A Unique Family"), interviewed on 5 October 2001
   
 
== External links ==
 
== External links ==
 
* {{wikipedia|Dennis McCarthy (composer)|Dennis McCarthy}}
 
* {{IMDb-link|page=nm0565103}}
 
* {{IMDb-link|page=nm0565103}}
* {{wikipedia|Dennis McCarthy (composer)}}
 
   
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{{DEFAULTSORT:McCarthy, Dennis}}
 
[[de:Dennis McCarthy]]
 
[[de:Dennis McCarthy]]
 
[[es:Dennis McCarthy]]
 
[[es:Dennis McCarthy]]
[[Category:Composers|McCarthy, Dennis]]
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[[Category:Composers]]
[[Category:Emmy Award winners|McCarthy, Dennis]]
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[[Category:Video game production staff]]
[[Category:Emmy Award nominees|McCarthy, Dennis]]
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[[Category:Emmy Award winners]]
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[[Category:Emmy Award nominees]]
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[[Category:ASCAP Film and Television Music Award winners]]

Revision as of 20:55, 30 October 2014

Template:Realworld

Dennis McCarthy

Dennis McCarthy

Jay Chattaway and Dennis McCarthy

McCarthy and Jay Chattaway

For the costumer with the same name, see Dennis McCarthy.
For the USS Voyager crewman, see Dennis McCarthy (Crewman).
For the Starfleet captain, see Dennis McCarthy (Captain)

Dennis McCarthy (born 1945) is a composer who has written many Star Trek-related musical scores, including the Star Trek: Deep Space Nine main title theme and the Star Trek: Enterprise end credits theme. He also composed the music for Star Trek Generations and many episodes of Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager and Star Trek: Enterprise. He scored the pilots and finales of Star Trek: The Next Generation, Star Trek: Deep Space Nine and Star Trek: Enterprise. McCarthy also wrote and conducted the music for the Star Trek: The Experience movie Borg Invasion 4D and the computer game Star Trek: Borg. Some of McCarthy's TNG and DS9 scores were released as part of the Star Trek: The Next Generation Collection, Volume One and the Star Trek: Deep Space Nine Collection.

McCarthy was nominated for nine Emmy Awards for his work, winning in the "Outstanding Individual Achievement in Main Title Theme Music" category for his Deep Space Nine title theme. He also won (or shared) nine ASCAP Awards, all for "Top TV Series" except for his award for Star Trek Generations, which won in the "Top Box Office Films" category.

McCarthy was once a member of Dick Dale's backing band, which came up while he was scoring the episode "Vis à Vis" which featured two Dick Dale tunes, "Night Rider" and "Let's Go Trippin'". Ronald B. Moore suggested the first song and remembered, "I was told that [McCarthy] heard the music and said, 'I used to be a Deltone.' This is a small world. He suggested that they close the show with another Dick Dale song. They got to [do that]." (Cinefantastique, Vol. 30, No. 9/10, p. 103)

McCarthy started his career as music arranger and moved shortly after this to the position of music composer. His first assignment was the television spinoff series Enos (1980-1981), followed by the series Private Benjamin (1982), Gun Shy (1983), Goodnight, Beantown (1983-1984), and The Barbara Mandrell Show. In early 1984, McCarthy was asked to redo the score for the second and the third part of the television mini series V: The Final Battle, just two weeks before the airdate. His successful scoring for V: The Final Battle including the "Visitor March" lent him to the assignment scoring the following television series V (1984-1985) as well as projects such as Trapper John, M.D. (1986), The Love Boat (1986), Mike Hammer (1986), The Colbys (1985-1987), The Twilight Zone (1986-1987), Dynasty (1985-1989), Falcon Crest (1989), and MacGyver (1985-1991).

Media

Star Trek credits

Awards for Star Trek

McCarthy received the following awards and nominations for his work on Star Trek:

  • 1989 Emmy Award nomination in the category Outstanding Achievement in Music Composition for a Series (Dramatic Underscore) for the episode "The Child"
  • 1990 Emmy Award nomination in the category Outstanding Achievement in Music Composition for a Series (Dramatic Underscore) for the episode "Yesterday's Enterprise"
  • 1991 Emmy Award nomination in the category Outstanding Achievement in Music Composition for a Series (Dramatic Underscore) for the episode "Half a Life"
  • 1992 Emmy Award nomination in the category Outstanding Individual Achievement in Music Composition for a Series (Dramatic Underscore) for the episode "Unification I"
  • 1993 Emmy Award in the category Outstanding Individual Achievement in Main Title Theme Music for Star Trek: Deep Space Nine
  • 1994 Emmy Award nomination in the category Outstanding Individual Achievement in Music Composition for a Series (Dramatic Underscore) for the episode "All Good Things..."
  • 1995 Emmy Award nomination in the category Outstanding Individual Achievement in Music Composition for a Series (Dramatic Underscore) for the episode "Heroes and Demons"
  • 1995 ASCAP Award in the category Top TV Series for Star Trek: The Next Generation
  • 1995 ASCAP Award in the category Top Box Office Films for Star Trek Generations
  • 1996 ASCAP Award in the category Top TV Series for Star Trek: Deep Space Nine
  • 1997 ASCAP Award in the category Top TV Series for Star Trek: Deep Space Nine
  • 1998 ASCAP Award in the category Top TV Series for Star Trek: Deep Space Nine, shared with Jay Chattaway
  • 1999 ASCAP Award in the category Top TV Series for Star Trek: Voyager
  • 2000 ASCAP Award in the category Top TV Series for Star Trek: Voyager
  • 2001 Emmy Award nomination in the category Outstanding Music Composition for a Series (Dramatic Underscore) for the episode "Workforce"
  • 2001 ASCAP Award in the category Top TV Series for Star Trek: Voyager, shared with Jay Chattaway and David Bell
  • 2002 ASCAP Award in the category Top TV Series for Star Trek: Enterprise, shared with Jay Chattaway, David Bell, Paul Baillargeon, and Diane Warren
  • 2003 Emmy Award nomination in the category Outstanding Music Composition for a Series (Dramatic Underscore) for the episode "The Expanse"

Star Trek interviews

External links