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| Birth name = Cari L. Thomas
 
| Birth name = Cari L. Thomas
 
| Gender = Female
 
| Gender = Female
| Date of birth = {{y|1965}}
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| Date of birth = {{d|22|May|1964}}
| Place of birth =
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| Place of birth = Studio City, California, USA
 
| Date of death =
 
| Date of death =
 
| Place of death =
 
| Place of death =
 
| Awards for Trek =
 
| Awards for Trek =
| Roles = [[:Category:Art department|Scenic Artist]], [[:Category:Special and Visual effects staff|Visual Effects Coordinator/Supervisor]]
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| Roles = [[:Category:Art department|Scenic Artist]], [[:Category:Production associates|Visual Effects Associate]]/[[:Category:Special and Visual effects staff|Coordinator]]
 
}}
 
}}
'''Cari L. Thomas''' ([[Star Trek birthdays|born]] {{y|1964}}) is a [[:Category: Visual effects companies|visual effects]] (VFX) artist who started out in the ''[[Star Trek]]'' franchise in 1989, working as (assistant) scenic artist in [[Michael Okuda]]'s scenic art department on {{film|5}} and ''[[Star Trek: The Next Generation]]'', seasons [[TNG Season 3|three]] through [[TNG Season 5|five]]. In 1993, she transferred to the VFX department, promoted to VFX associate, when the spin-off series ''[[Star Trek: Deep Space Nine]]'' went into production, as VFX Producer [[Dan Curry]] specified at the time, "''Joining the DEEP SPACE NINE Visual Effects crew this year will be [[Sue Jones]] and [[Judy Elkins]], and Cari Thomas as Visual Associate.''" (''[[Cinefantastique]]'', Vol 23,#5, p. 62) Though hired in this junior VFX position, Thomas was given the opportunity to flex her muscled as a senior VFX coordinator on alternating even numbered episodes of that series' [[DS9 Season 1|first season]] from the episode {{e|Dax}} onward, though without being officially elevated, though credited, into that position. Together with her VFX Supervisor [[Robert Legato]], Thomas left the franchise upon the conclusion of the first season, both to join [[Digital Domain]].
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'''Cari L. Thomas''' {{born|22|May|1964}} is a [[:Category: Visual effects companies|visual effects]] (VFX) artist who started out in the ''[[Star Trek]]'' franchise in 1989, working as (assistant) scenic artist in [[Michael Okuda]]'s scenic art department on {{film|5}} and ''[[Star Trek: The Next Generation]]'', seasons [[TNG Season 3|three]] through [[TNG Season 5|five]]. In 1993, she transferred to the VFX department, promoted to VFX associate, when the spin-off series ''[[Star Trek: Deep Space Nine]]'' went into production, as VFX Producer [[Dan Curry]] specified at the time, "''Joining the DEEP SPACE NINE Visual Effects crew this year will be [[Sue Jones]] and [[Judy Elkins]], and Cari Thomas as Visual Associate.''" (''[[Cinefantastique]]'', Vol 23,#5, p. 62) Though hired in this junior VFX position, Thomas was given the opportunity to flex her muscled as a senior VFX coordinator on the alternating even numbered episodes of that series' [[DS9 Season 1|first season]] from the eighth episode, {{e|Dax}}, onward, without being officially elevated, though credited, into that position. Together with her VFX Supervisor [[Robert Legato]], Thomas left the franchise upon the conclusion of the first season, both to join [[Digital Domain]].
   
[[Cari Thomas (Captain)|A Starfleet captain]], seen on set artwork in ''The Next Generation''{{'}}s episode {{e|Violations}}, was named after her. Years later, in 2012, she received an additional, after-the-fact, acknowledgment when a "[[Cari Thomas Raymond]]" was [[retcon]]ned onto a computer display, seen in the [[TNG-R|remastered]] ''Next Generation'' episode, {{e|The Neutral Zone}}
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[[Cari Thomas (Captain)|A Starfleet captain]], seen on set artwork in ''The Next Generation''{{'}}s episode {{e|Violations}}, was named after her. Years later, in 2012, she received an additional, after-the-fact, acknowledgment when a "[[Cari Thomas Raymond]]" was [[retcon]]ned onto a computer display, seen in the [[TNG-R|remastered]] ''Next Generation'' episode, {{e|The Neutral Zone}}, ironically an episode originally produced at a time when she was not yet working for the franchise.
   
 
== Career outside ''Star Trek'' ==
 
== Career outside ''Star Trek'' ==
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== ''Star Trek'' credits ==
 
== ''Star Trek'' credits ==
 
<div class="appear">
 
<div class="appear">
* {{film|5}} - Scenic Artist
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* As '''(Assistant) Scenic Artist''':
* {{TNG}}
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** {{Star Trek films}}
** [[TNG Season 3|Season 3]] - Assistant Scenic Artist (26 episodes)
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*** {{film|5}} - Scenic Artist
 
** {{TNG}}
** {{e|The Best of Both Worlds, Part II}} - {{e|Clues}} - Assistant Scenic Artist ([[TNG Season 4|Season 4]], 14 episodes)
 
** {{e|First Contact}} - {{e|Time's Arrow}} - Scenic Artist ([[TNG Season 4|Season 4]] and [[TNG Season 5|5]], 38 episodes)
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*** [[TNG Season 3|Season 3]] - Assistant Scenic Artist (26 episodes, {{e|Evolution}} - {{e|The Best of Both Worlds}})
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*** [[TNG Season 4|Season 4]] - Assistant Scenic Artist (14 episodes, {{e|The Best of Both Worlds, Part II}} - {{e|Clues}})/Scenic Artist (12 episodes, {{e|First Contact}} - {{e|Redemption}})
* {{DS9}}
 
  +
*** [[TNG Season 5|Season 5]] - Scenic Artist (26 episodes, {{e|Redemption II}} - {{e|Time's Arrow}})
  +
* As '''Visual Effects Associate''':
  +
** {{DS9}}
 
</div>
 
</div>
   
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{{DEFAULTSORT:Thomas, Cari}}
 
{{DEFAULTSORT:Thomas, Cari}}
 
[[Category:Art department]]
 
[[Category:Art department]]
  +
[[Category:Production associates]]
 
[[Category:Special and Visual effects staff]]
 
[[Category:Special and Visual effects staff]]

Revision as of 15:43, 26 January 2015

Template:Realworld

Cari L. Thomas (born 22 May 1964; age 59) is a visual effects (VFX) artist who started out in the Star Trek franchise in 1989, working as (assistant) scenic artist in Michael Okuda's scenic art department on Star Trek V: The Final Frontier and Star Trek: The Next Generation, seasons three through five. In 1993, she transferred to the VFX department, promoted to VFX associate, when the spin-off series Star Trek: Deep Space Nine went into production, as VFX Producer Dan Curry specified at the time, "Joining the DEEP SPACE NINE Visual Effects crew this year will be Sue Jones and Judy Elkins, and Cari Thomas as Visual Associate." (Cinefantastique, Vol 23,#5, p. 62) Though hired in this junior VFX position, Thomas was given the opportunity to flex her muscled as a senior VFX coordinator on the alternating even numbered episodes of that series' first season from the eighth episode, "Dax", onward, without being officially elevated, though credited, into that position. Together with her VFX Supervisor Robert Legato, Thomas left the franchise upon the conclusion of the first season, both to join Digital Domain.

A Starfleet captain, seen on set artwork in The Next Generation's episode "Violations", was named after her. Years later, in 2012, she received an additional, after-the-fact, acknowledgment when a "Cari Thomas Raymond" was retconned onto a computer display, seen in the remastered Next Generation episode, "The Neutral Zone", ironically an episode originally produced at a time when she was not yet working for the franchise.

Career outside Star Trek

Prior to her work on Star Trek franchise, Thomas' first motion picture involvement was her, uncredited, work on the television series Max Headroom. Following her tenure on the franchise, Thomas worked for Digital Domain as visual effects coordinator on the thriller Color of Night (1994) and the fantasy drama Interview with the Vampire: The Vampire Chronicles (1994). As visual effects producer for Digital Domain, she worked on projects such as the science fiction drama Apollo 13 (1995), the biopic Michael Collins (1996), James Cameron's blockbuster Titanic (1997), the drama Kundun (1997), and the science fiction film Armageddon (1998).

Thomas' credits as visual effects producer include the drama Cast Away (2000), the fantasy film Harry Potter and the Sorcerer's Stone (2001), the action sequel Bad Boys II (2003), the sport drama Seabiscuit (2003), the fantasy adventure Peter Pan (2003), Steven Spielberg's science fiction remake War of the Worlds (2005), the thriller Eagle Eye (2008), the fantasy adventure Gulliver's Travels (2010), and the superhero reboot The Amazing Spider-Man (2012).

Star Trek credits

External link

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